Opening Christmas Day (because, well, why not?) is the newest tongue-in-cheek Tarantino genre-stew:
With his bloodily entertaining but tonally sloppy Django Unchained, the always fastidious Quentin Tarantino may finally be loosening up. This development could help broaden his appeal in the short run, his newest film being the kind of straightforward blend of humor and self-aware ultra-violence that plays pretty well to many different audiences these days. (In other words, expect few of the tricky narrative gambits that have defined his work in the past; this one’s more about doing maximum damage with six-shooters.) Unfortunately, a less formally inhibited Tarantino may turn out to be a less entertaining filmmaker…
My full review is at Film Journal International.
You can see the trailer here:
Bonus holiday fun—check out the trailer for the 1966 original Django, which Tarantino lifted the theme music from (but, sadly, not the Gatling gun in the coffin):