Category Archives: DVD – Film

New on DVD: ‘Cloud Atlas’

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cloudatlas-dvdDavid Mitchell’s 2004 novel Cloud Atlas is one of those books that has been long assumed to be unfilmmable. But then the Wachowskis jumped into it, bringing on board Run Lola Run‘s Tom Tykwer for additional directing help. The result is a nearly three-hour karmic sci-fi epic that just keeps hitting crescendo after crescendo and made for one of 2012′s most memorable, if under-seen, epics.

Cloud Atlas is available today on Blu-ray and DVD. My full review is available at PopMattershere’s part of it:

Eager to entertain and suffused with nervous energy, Cloud Atlas spans many continents and about half a millennia of human history. As faithful to David Mitchell’s novel as any $100 million enterprise could be, it’s the most daring, thrilling, satisfying, swiftly churning engine of big screen adventure to come along in some time. It even works in a halfway decent Soylent Green joke, which one would imagine wasn’t possible anymore. And oh yes, Hugh Grant plays a bloodthirsty cannibal…

You can watch the extended trailer here:

 

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New on DVD: ‘Not Fade Away’

Bella Heathcoate and John Magaro in 'Not Fade Away'

Bella Heathcoate and John Magaro in ‘Not Fade Away’

not-fade-away-dvdIt wasn’t the most obvious project for David Chase to take on after The Sopranos—many thought he should just do a crime movie—but his 1960s garage band comedy Not Fade Away has some of the same roots of the TV show (dysfunctional family, Jersey) while striking into new territory (a lighter, satirical touch).

For everyone who missed Not Fade Away in theaters (which was most everybody, given how short its run was), you can now check it out on DVD and Blu-ray.

My full review is at PopMatters:

If it weren’t for the playful sense of fantasy and satire that licks through Not Fade Away, the weight of its pop cultural nostalgia would be almost overpowering. Every TV seems to be playingThe Twilight Zone and most of the young people are listening to the circa 1960s brash new music or aping the mannerisms of the bands themselves. The walls of these suburban New Jersey homes feel like those of small prison cells. Everybody’s either resigned to living inside them forever or itching to bust out…

The trailer is here:

 

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New on DVD: ‘Promised Land’

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promisedland-dvdOne of the more overlooked films of 2012 was the Matt Damon and John Krasinski-scripted Promised Land, possibly because it was marketed as a film about the gas-fracking controversy, when in fact it’s a smart and sensitive drama-comedy about the broader state of the nation.

It hit DVD and Blu-ray last week, here’s part of my review:

“You’re the natural gas people.” That’s how folks identify Steve (Matt Damon) and Sue (Frances McDormand). There’s a lot to unpack in that assessment, and Gus Van Sant’s Promised Land is smart enough to take most of its running time to do so, spinning a clever moral comedy at the same time. In those few words are contained just about every element, from hope to greed to fear and anxiety, that makes up the emotive froth of American malaise, circa 2012…

You can see the trailer here:

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New on DVD: ‘Repo Man’

Emilio Estevez gives his best punk-rock face in 'Repo Man'

Emilio Estevez gives his best punk-rock face in ‘Repo Man’

repoman-dvdAt first it might seem strange that the folks over at Criterion would bother putting out an edition of Repo Man. After all, isn’t it really a film meant to be watched on a bad $2 bargain-bin DVD or a miserably grainy VHS tape from a decades-old cable broadcast? Possibly, but on new viewing, this is one of those cult films that actually deserves getting this treatment, brand-spanking new transfer, deleted scenes and all.

From my review at Film Racket:

The scuzz-punk doom comedy of Alex Cox’s 1984 underground touchstone makes for a creepy visitation from a fracturing society. Released at the midpoint of the Reagan era’s celebration of suburban consumerism, it had a gutter-level view of Los Angeles’ bleached-out sprawl and social entropy. Its characters tend toward the feral: repo men who hunt the cars whose owners can’t pay up, shotgun-toting punks, cold-eyed federal agents, or bugged-out cult followers. Hints of an oppressive police state are everywhere, and the scent of nuclear apocalypse is on the land. In the middle of all the science-fiction-tinged end-times bleakness, though, Cox mines a catchphrase-studded seam of absurdist humor that’s one of the film’s most durable qualities…

Here’s the trailer, in all its grotty gloriousness:

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New on DVD: ‘Django Unchained’

Django Unchained

Schultz (Christoph Waltz) and Django (Jamie Foxx) get ready to dispense justice and bon mots aplenty

djangounchained-dvdQuentin Tarantino’s Christmas 2012 genre mashup bloodbath Django Unchained gets released on DVD and Blu-ray today. It’s no classic by any measure (that writing Oscar wasn’t exactly earned), but at least half of it is better than just about anything else out there right now.

My original review ran at Film Journal International:

Tarantino works fast in these early sections, delivering several loose riffs on typical western showdowns and balancing them out with a couple of comic scenes that land in a pleasing middle somewhere between Blazing Saddles and (particularly in a “Who’s on first?”-type routine with a masked lynch mob hunting Django and Schultz) O Brother, Where Art Thou? A high point of bafflingly hilarious absurdity comes when Don Johnson appears as a plantation owner given to Colonel Sanders suits and prolix verbosity. The humor plays well throughout (Django even gets a catch-phrase: “The ‘D’ is silent”) but at the disadvantage of dulling the edge of the script’s visceral portrayal of the savagery of slavery—a problem that gets more pronounced by the film’s gory climax…

Here’s the trailer:

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New on DVD: ‘This is 40′

This Is 40

thisis 40dvdJudd Apatow has done more than just about any other filmmaker to revive the American film comedy as a vital force. But his influence has been much more positive as a writer, producer, and show-runner (Freaks and Geeks to Adventureland) than it has been as a writer and director of his own work. This is 40 follows squarely in that slightly disappointing line.

It came out last week on Blu-ray and DVD. My full review is at Film Racket; here’s part of it:

In 2007’s Knocked Up— also known as the last funny movie Judd Apatow directed — Pete (Paul Rudd) and Debbie (Leslie Mann) were the fractious married couple who served as a warning to the commitment-phobic Ben Stone (Seth Rogen). With This Is 40, Apatow makes the wildly unnecessary move of spinning them off into their own film…

You can watch the trailer here:

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New on DVD: ‘Les Miserables’

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lesmiserables-dvdEvery few years, Hollywood decides to go back and see whether it’s worth reviving the musical. Generally it’s well received, but then instead of getting back into the genre, they wait a few more years for the next one. So it was with 2012′s Les Miserables, an adaptation of a musical that trends ponderous on stage but comes alive under Tom Hooper’s deft direction. 

It’s available now on DVD and Blu-ray. My full review is at Film Racket; here’s part of it:

Some stories are so bulletproof that even a tuneless Russell Crowe can’t deliver a mortal wound. There are also some so prone to overwrought pathos that even a fearsomely committed Hugh Jackman and Anne Hathaway, working every creative muscle in their bodies, can’t quite elevate to greatness. In Tom Hooper’s labor-of-love adaptation of the workhorse musical Les Miserables, nearly all the story’s strongest and most crowd-pleasing elements are passionately brought to the fore…

You can watch the trailer here:

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New on DVD: ‘Zero Dark Thirty’

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zerodarkthirtydvdBetween the various Navy SEAL books and films flooding the market, Mark Bowden’s riveting The Finish, and the all the video games crafted around Special Ops strike teams, you’d think commando fatigue would be setting in. That wasn’t the case with Zero Dark Thirty, which comes out on DVD and Blu-ray today.

My full review is at Film Journal International:

Zero Dark Thirty (military jargon for a half-hour after midnight) is an epic take on the Central Intelligence Agency’s hunt for the 9/11 mastermind. Working on a dusty Afghanistan forward operating base, Maya (Jessica Chastain) then shifts to analyzing the intelligence from the American embassy in Islamabad… As the casualties mount and the years tick by, the shell-shocked Maya’s worldview narrows down to a millimeter-wide slit that recognizes only her quarry. The film recounts the agonizingly particular step-by-step analysis of baffling and contradictory information. It just as convincingly relays the sickening sense of urgency in the hunt, a fear that after all the bombings and rhetoric and fear and war, their quarry may simply get away. “We are failing… Bring me people to kill,” seethes Maya’s CIA superior…

You can see the trailer here:

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New on DVD: ‘The Master’

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themaster1One of the greatest, weirdest films of 2012 was Paul Thomas Anderson’s The Master. Synopses don’t quite do it justice; just find it and watch it (the DVD and Blu-ray are available as of today).

My full review is at Film Journal International:

The Master makes what should have been long obvious now utterly clear: Paul Thomas Anderson can lay claim to being one of the era’s few American writer/directors afflicted with greatness. It is hard to think of another home-grown filmmaker who so consistently brings such psychologically astute scripting, and ability to coax nakedly revelatory performances from actors—that classically trained eye for widescreen framing—to each film he makes. The Master may not match the level of artistry or thematic intensity seen in There Will Be Blood, but it is Anderson’s most approachable film in years, not to mention his most vividly realized characters to date…

You can see the trailer here:

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New on DVD: ‘Anna Karenina’

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Anna-Karenina-DVD-CoverJoe Wright’s electric, Tom Stoppard-scripted take on Anna Karenina didn’t quite get the attention it deserved in theaters last fall. Here’s hoping that it can have a second life on DVD and Blu-ray (available today).

My full review is at Film Journal International:

All the world’s a stage in this highly self-aware yet free-flowing take on Tolstoy’s great novel of doomed romance and the thorny collision of ideals with the world of real humans. Joe Wright’s exciting take will divide audiences, but for those who go along for the ride, they’ll thrill at how it blows their hair back. Instead of moving from one stately mansion to the next, Wright sets most of his scenes inside the same grand but vaguely decrepit theatre, with obvious backdrops and stage props, adding music and elaborate choreography to further stylize the action. It can be read as a statement on the highly artificial world that the Russian aristocracy had entrapped itself in, circa 1874, or a device heightening the novel’s already potent melodrama…

You can see the trailer here:

 

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