Now that the Chinese stock market is whipsawing from highs to lows and the permanent growth cycle appears to be broken, it’s probably the perfect time for a state-of-the-nation drama from one of the great modern Chinese directors: Jia Zhangke.
Mountains May Depart is playing now in limited release. My review is at PopMatters:
Whatever is left of China at the start of Jia Zhangke’s epic triptych Mountains May Depart, it isn’t a place for which anyone will feel nostalgic. The first scene, set in 1999 in the small northern city of Fenyang, seems shrouded in grey. The crumbling brick buildings and bare landscape denote the only work that seems on offer here, at a coal mine.
Still, this is a time of economic boom, when China is transforming into an industrial powerhouse the likes of which had never been seen before. The film goes on to reveal the costs of that era’s sky-high promises of prosperity and accompanying irrational exuberance…
You can see my review of Jia Zhangke’s last masterpiece, A Touch of Sin, here.
Here’s the trailer for Mountains May Depart: