Category Archives: World

Reader’s Corner: ‘Finnegans Wake’ in China

finneganswake1There’s something about James Joyce’s last and arguably unreadable novel Finnegans Wake that has always attracted the obsessive. Fans range from Marshall McLuhan—who, one critic quipped after reading his manic interpretations, was possibly the only living person to have read every single line of the book—to those various reading clubs that have popped up where people read a couple pages each meeting over the course of many years.

Now, after one woman spent eight years doggedly translating what Joyce’s wife termed “that chop suey” into Mandarin, the book has proven to be surprisingly successful in China. Per the Wall Street Journal:

A newly affluent nation that prizes black Audi sedans and Louis Vuitton handbags has made a literary status symbol of what may well be English literature’s most difficult work. Thanks in part to a canny marketing campaign involving eye-catching billboards and packaging, “Finnegans Wake” sold out the first, 8,000-volume run shortly after it was released in December. The book briefly rose to No. 2 on a bestseller list run by a Shanghai book industry group, just behind a biography of the late Deng Xiaoping, the architect of China’s modern-day boom.

Perhaps it’s a sign of increasing affluence that people have the inclination to acquire status novels that they have little intention of actually reading.

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New in Books: ‘Invisible War’

invisiblearmies1Earlier this year, up-and-coming military writer and think-tank-er (if that’s a term) Max Boot published a pretty incredible piece of writing. Invisible Wars: An Epic History of Guerrilla Warfare from Ancient Times to the Present is one of the best, most thoughtful books on military history for a general readership to come along in some time. (Even if calling itself “epic” in the subtitle seems a touch hubristic, though correct.)

Don’t let its length and breadth of scope throw you, this is as readable as any magazine essay, and definitely worth your time. My review is available at PopMatters:

In this grand survey of what one could term irregular warfare, spanning from the Jewish revolt against the Romans in 66 AD and earlier to the present day, Boot shows that a good reading of the historical record leaves little room for old stereotypes. He has no truck with the romantic heavy-breathing that writers of his ilk can slip into when talking about generals and battles. He also doesn’t waste time in this book repeating the old army-groupie saw about how some particular war might have been won if only the media/politicians/concerned civilians had just gotten out of the way and let the guys with guns take care of the problem…

You can read an excerpt from the book here.

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New on DVD: ‘Zero Dark Thirty’

1134604 - Zero Dark Thirty

zerodarkthirtydvdBetween the various Navy SEAL books and films flooding the market, Mark Bowden’s riveting The Finish, and the all the video games crafted around Special Ops strike teams, you’d think commando fatigue would be setting in. That wasn’t the case with Zero Dark Thirty, which comes out on DVD and Blu-ray today.

My full review is at Film Journal International:

Zero Dark Thirty (military jargon for a half-hour after midnight) is an epic take on the Central Intelligence Agency’s hunt for the 9/11 mastermind. Working on a dusty Afghanistan forward operating base, Maya (Jessica Chastain) then shifts to analyzing the intelligence from the American embassy in Islamabad… As the casualties mount and the years tick by, the shell-shocked Maya’s worldview narrows down to a millimeter-wide slit that recognizes only her quarry. The film recounts the agonizingly particular step-by-step analysis of baffling and contradictory information. It just as convincingly relays the sickening sense of urgency in the hunt, a fear that after all the bombings and rhetoric and fear and war, their quarry may simply get away. “We are failing… Bring me people to kill,” seethes Maya’s CIA superior…

You can see the trailer here:

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New in Theaters: ‘Greedy Lying Bastards’

Greedy-Lying-Bastards_Koch-Industries

greedy-poster

It’s hard to think of a richer subject for these anti-scientific, fear-mongering times. So there was hope that the new documentary Greedy Lying Bastards, which opened yesterday in limited release, would be going for the jugular. Does it? Yes and no.

My full review is at Film Journal International:

As Craig Scott Rosebraugh’s film ably shows, there are many “charlatans” and deniers who make a decent living confusing the issue of climate change, with surprisingly receptive audiences. One of the stranger moments in Greedy Lying Bastards is footage of Tim Philips, president of the oil-industry-funded lobbying group Americans for Prosperity and seemingly just another bland Beltway spokesman in a suit, being greeted at a speaking engagement like a reanimated Elvis. No such excitement will be waiting for Rosebraugh’s film, an earnest but wholly unimpressive bit of advocacy cinema which fails to tap into the dark seam of anger that its title implies…

You can watch the trailer here:

 

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New in Theaters: ‘War Witch’

War Witch

war-witch-posterThere has been plenty written about the tragedy of child soldiers in the African wars, but little that has been put on film that wasn’t a documentary. Kim Nguyen’s blistering, Oscar-nominated War Witch uses the subject as the basis for a haunting, unforgettable film about a lost girl trying to put some kind of a life together.

My full review is at Film Journal International:

In some sub-Saharan African country where wars ebb and flow in a constant, blood-dimmed tide, a teenage girl with the eyes of a traumatized warrior tells the story of how she became a soldier. She wants her child to know what happened, even though she believes her evil deeds are not forgivable. The girl, Komona (Rachel Mwanza), relates everything in a numbed voiceover as though narrating a nightmare. With all its talk of witches and gris-gris and the many ghosts walking around like flesh-and-blood people, War Witch is more like a fairytale from long ago than an of-the-moment topical drama…

War Witch opens in limited release on Friday. Seek it out.

You can see the trailer here:

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New in Books: ‘The Dinner’

book-dinner-hermankoch-200 (1)Herman Koch’s nasty surprise novel The Dinner was first published in his native Netherlands back in 2009. Since then, it’s been published in about twenty-five countries and been compared to everything from Gillian Flynn’s Gone Girl to Yasmin Reza’s God of Carnage. The American edition hit shelves this month.

You can read my review at PopMatters:

It begins with blank effect, as though listening to your none-too-interesting friend relate a perfectly ordinary evening filled with ordinary grievances. The narrator, Paul, grouses about this and that, with a chipper flatness that suggests one of those quiet, empty books about ennui and social conventions. Before it’s all over, though, Herman Koch’s serenely malicious little mousetrap of a novel, The Dinner, will have revealed some deadly shadows behind the bright-mannered griping of its opening pages…

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Reader’s Corner: Orwell in 2013

1984-fairey coverOne of today’s most overused literary descriptors, coming in right after “Dante-esque” and “Kafkaesque”, is indeed “Orwellian.” Whether or not you have any idea of what George Orwell meant about freedom and the perils of modernity in any of his marvelous works, you can apparently apply that word anytime it seems like anything, you know, creepy and technological is happening.

Stuart Jeffries has a great essay at the Guardian that tries to tackle this Orwellian problem head-on by asking the question of what would the old man say were he alive today? The possibilities are many and varied, but it’s safe to say that he would confound many of his erstwhile admirers on the left and right.

Jeffries hits it on the head when noting that whatever Orwell might have to say about CCTV, rebellion in Syria, the Internet, Big Brother, and so on, his opinion of today’s popular culture is not too hard to guess at:

…his vision of the capitalistic commodification of human experience surely captures something of our glum times. “There was a whole chain of separate departments dealing with proletarian literature, music, drama and entertainment generally,” he wrote in Nineteen Eighty-Four. “Here were produced rubbishy newspapers containing almost nothing except sport, crime and astrology, sensational five-cent novelettes, films oozing with sex, and sentimental songs which were composed entirely by mechanical means.” If Orwell’s 1984 speaks to 2013 it is in such passages. As Orwell’s late biographer Bernard Crick put it: “He really did believe that capitalism controls the ‘proles’, the common people, not by physical oppression, but by bread and circuses, as it were, by cultural debasement, ‘dumbing down’ as we now say.”

The nightmare was once that a totalitarian regime would decimate and degrade  Western culture. Apparently, that wasn’t necessary. We did it to ourselves.

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New in Theaters: ‘The Gatekeepers’

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The-Gatekeepers-PosterLate last year, there was a very brief New York run of the amazing Israeli documentary The Gatekeepers, it’s now getting a more proper release courtesy of Sony Pictures Classics. My full review is at Film Journal International:

Director Dror Moreh’s first coup lies obviously in the get: convincing the six men who led Shin Bet—Israel’s secret service which deals with cases of domestic terrorism—from 1980 to 2011 to come on-camera and talk with seemingly complete frankness about what they did. Moreh’s second coup is so thoroughly defying expectations…

The Gatekeepers is opening in limited release on Friday, hopefully it will soon be playing at a theater near you.

You can watch the trailer here:

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Quote of the Day: Churchill on Government

churchill1In 1906, Winston Churchill was a mere Undersecretary of State for the Colonies. By that point, the 32-year-old had already been taken prisoner as a journalist during the Boer War and published four of the books that would later win him the Nobel Prize in Literature.

That year, the future Prime Minister gave a speech in Glasgow where he laid out a philosophy of what liberal government means.

We want to draw a line below which we will not allow persons to live and labor, yet above which they may compete with all the strength of their manhood. We want to have free competition upwards; we decline to allow free competition downwards. We do not want to tear down the structure of science and civilization but to spread a net on the abyss.

It’s an eloquently stated argument, given the current debates over what exactly government is for.

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New in Theaters: ‘The Impossible’

theimpossible-posterIn the based-on-a-true-story melodrama The Impossible, Ewan McGregor and Naomi Watts play a married couple who must fight to survive the aftermath of the 2004 tsunami:

The film flits between the two knots of survivors, contrasting the parents’ heartsick dread of the unknown with their children’s more pragmatic reasoning and straightforward terror. Despite the script’s hacky tendencies the movie repeatedly comes up with devastatingly effective visuals. It underscores how awful it is not to know. At times, particularly in one nerve-rattling sequence where Maria is being flung this way and that by underwater currents, with shadowy objects stabbing out of the murk like vengeful ghosts, it becomes almost unbearable to watch…

The Impossible is playing now in semi-limited release. My full review is at PopMatters.

You can view the trailer here:

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