New in Books: ‘The Way of the Knife’

Predator drone operators at Balad Air Force Base in Iraq, 2007

Predator drone operators at Balad Air Force Base in Iraq, 2007

Suddenly, about midway through the twelfth year of the post-9/11 conflicts, America decided to have a conversation about drones and the forever war. Books and op-eds were written, opinions voiced. Then all that was forgotten.

book-wayofknife-mazzetti-cvr-200In April, though, Pulitzer Prize-winner Mark Mazzetti delivered The Way of the Knife, a precise little guidebook to all the secretive ways that America has been waging war without borders or oversight just about anywhere in the world we darn well please.

My full review is at PopMatters; here’s part:

When people of the future look back on America’s first wars of the 21st century, they will study the flash-bang invasions and slow-death occupations of Afghanistan and Iraq in the decade-and-a-half following 9/11. Lessons to be learned are many and complex, though occasionally quite simple. Don’t invade countries without an exit strategy, for example. Avoid using vengeful locals or untrained and unsupervised National Guardsmen to run prisons; that would be another. Train at least a few guys to speak something besides English—preferably the langue of the country they’re occupying.

It’s less clear what lessons will be gleaned from America’s third undeclared and so-far nameless war; since we’re still right in the middle of it…

You can buy The Way of the Knife anywhere. Here’s an excerpt.

New on DVD: ‘Zero Dark Thirty’

1134604 - Zero Dark Thirty

zerodarkthirtydvdBetween the various Navy SEAL books and films flooding the market, Mark Bowden’s riveting The Finish, and the all the video games crafted around Special Ops strike teams, you’d think commando fatigue would be setting in. That wasn’t the case with Zero Dark Thirty, which comes out on DVD and Blu-ray today.

My full review is at Film Journal International:

Zero Dark Thirty (military jargon for a half-hour after midnight) is an epic take on the Central Intelligence Agency’s hunt for the 9/11 mastermind. Working on a dusty Afghanistan forward operating base, Maya (Jessica Chastain) then shifts to analyzing the intelligence from the American embassy in Islamabad… As the casualties mount and the years tick by, the shell-shocked Maya’s worldview narrows down to a millimeter-wide slit that recognizes only her quarry. The film recounts the agonizingly particular step-by-step analysis of baffling and contradictory information. It just as convincingly relays the sickening sense of urgency in the hunt, a fear that after all the bombings and rhetoric and fear and war, their quarry may simply get away. “We are failing… Bring me people to kill,” seethes Maya’s CIA superior…

You can see the trailer here:

New in Theaters: ‘Zero Dark Thirty’

zero-dark-thirty1Between the various Navy SEAL books and films flooding the market, Mark Bowden’s riveting The Finish, and the all the video games crafted around Special Ops strike teams, you’d think commando fatigue would be setting in. Hopefully that won’t be the case once Zero Dark Thirty hits theaters:

Zero Dark Thirty (military jargon for a half-hour after midnight) is an epic take on the Central Intelligence Agency’s hunt for the 9/11 mastermind. Working on a dusty Afghanistan forward operating base, Maya (Jessica Chastain) then shifts to analyzing the intelligence from the American embassy in Islamabad… As the casualties mount and the years tick by, the shell-shocked Maya’s worldview narrows down to a millimeter-wide slit that recognizes only her quarry. The film recounts the agonizingly particular step-by-step analysis of baffling and contradictory information. It just as convincingly relays the sickening sense of urgency in the hunt, a fear that after all the bombings and rhetoric and fear and war, their quarry may simply get away. “We are failing… Bring me people to kill,” seethes Maya’s CIA superior…

Zero Dark Thirty opens in limited release on Wednesday, expanding wider over the several weeks to follow. It’s already been racking up awards from critics’ groups and attracting controversy over its depiction of CIA torture of prisoners; watch for it when the Oscars are announced.

My full review is at Film Journal International.

You can see the trailer here: