It’s only about a week to go before the Oscar Awards broadcast. In and of themselves, they don’t matter, even for serious movie fans. Not a bit. Given the wild richness that can be found in just one year’s worth of American studio and indie (for whatever that distinction is still worth making), identifying one particular film or performer as the “best” is an exercise in futility.
So why do we care? If nothing else, the Oscars (like the Golden Globes) serve as an excuse to look over a year’s worth of cinema and determine what was most noteworthy about it. Or, more commonly, to argue about what those out-of-touch types in the Academy foolishly considered the best.
To help continue that argument, we offer for your consideration: Eyes Wide Open 2012: The Year’s 25 Greatest Movies (and 5 Worst). It’s a compilation of some 100-odd pages’ worth of material that I wrote over the past year (as well as some new pieces written for this book) about the films of 2012—the good, the bad, the preposterous, and the utterly forgettable.
In addition to the best and worst lists (The Hobbit made one list, and Cloud Atlas made the other; try guessing which), there’s also some essays, DVD reviews, and even some awards lists of my own (because, why should the Oscars have all the fun?). It covers everything from the strange genius of the late Tony Scott to the yawn-inducing mediocrity of The Avengers and the stark political attack contained in Brad Pitt’s Killing Them Softly.
If this works out, it might become an annual thing. Let me know what you think.