Screening Room: The Top 5 Sci-Fi Movies That Never Were

Production art from Alejandro Jodorowsky's never-produced 'Dune' (Sony Pictures Classics)

Production art from Alejandro Jodorowsky’s never-produced ‘Dune’ (Sony Pictures Classics)

Sometimes it can be better to think about the possibilities of those great unrealized what-if film projects of legend than to actually see them made. Stanley Kubrick’s Napoleon, Ridley Scott’s I Am Legend, Quentin Tarantino’s Reservoir Dogs spinoff; there’s a lot of possibilities there for genius, but also insane overreach.

In the interest of indulging the what if side of things, I posted a highly subjective list at Short Ends & Leader of the “Top 5 Sci-Fi Movies That Never Were“:

Even were it not for the mental anguish brought about by the revival of the Teenage Mutant Ninja Turtles, it would be obvious we live in strange times, cinematically speaking. To wit: Every other movie playing in theaters features alien invasions, bionic bodysuit weaponry, time travel, or a half-dozen other elements that make a geeky kid’s heart beat just that much faster. You would think, then, that studios would be dusting off every science-fiction script their D-girls passed on over the past couple decades and working out how to put Matthew McConaughey in it…

 

New on DVD: ‘Cosmopolis’

cosmopolis-poster1

We can complain all we want about the lack of exciting new visions in mainstream cinema, but then when one does come along, it’s all too often ignored. Case in point: David Cronenberg’s full-bore millennial freakout adaptation of Don DeLillo’s semi-apocalyptic Cosmopolis:

After a few years working in genres like the gangster film (Eastern Promises) and the art-house period piece (A Dangerous Method) threatened to turn him into a respectable filmmaker, David Cronenberg thankfully returns to the perverse, literary artistry of more contentious works like Crash with this abstract, pitch-black comedy. For all its artificial mannerisms, though, Cosmopolis isn’t one of the director’s more abstruse and off-putting works; this is a sleek, seductive construction. The concoction of high-end theorizing on the state of the world, finance and the social sphere mixed with deadpan satire, in addition to the expected jabs of rough sex and ultra-violence, is a highly effective one for audiences willing to go along (ahem) for the ride…

On a relatively quiet week for home-viewing releases, Cosmopolis is available today on both DVD and Blu-ray; check it out.

My full review is at Film Journal International.

You can see the trailer here:

New in Theaters: ‘Cosmopolis’

Adapted by David Cronenberg from Don DeLillo’s prescient 2003 novel, Cosmopolis is set in a fantastical New York of the present or near-future, a nebulous universe that feels like a recent William Gibson novel—this might be the future, but it’s barely five minutes hence. Robert Pattinson plays Eric Packer, a 28-year-old wizard of some species of speculative, quantitative finance who has made his billions and now can’t seem to wait to set his entire universe on fire. He drifts through the city in a white limo that looks outside like all the others, but inside is a fully wired and soundproof command center that keeps him wired to his empire while sitting in traffic on the way to get a haircut…

The deadpan, crazed Cosmpolis opens tomorrow in limited release; seek it out when it comes to your town, there’s nothing else like it.

My full review is at Film Journal International.

The trailer is here: