From 1966 to 1968, ABC showed one of the greatest series ever to grace the American TV screen. The original Batman TV show was different from pretty much everything that came before. Full of bright Pop Art colors and tongue-in-cheek satire, it both celebrated and mocked the superhero genre in a way that kids could take straight and adults could enjoy as comedy.
Finally, after years of legal wrangling, all 120 episodes are finally available for your viewing pleasure on DVD and Blu-ray. My review of Batman: The Complete Series is at PopMatters.
Also, here’s The Jam performing the unassailably cool theme to Batman:
Batgirl, when she’s not shelving (courtesy DC Comics)
Readers of genre fiction—particularly science fiction and fantasy—have a special place in their hearts for bookstores, libraries, and other (preferably dark and quiet) repositories of the written word. While librarians would seem to most like a prickly breed, they tend to show up in works of the fantastic as heroes, or at least very valuable allies.
Thanks to the smart folks at Tor, here’s a look at some of the more awesome fantasy/sci-fi librarians, ranging from Buffy the Vampire Slayer to the Sandman comics.
It’s a solid list, all in all (even if it does miss out on the omnisciently Jeeves-ian Librarian from Neal Stephenson’s Snow Crash), though they do pale in comparison to Barbara Gordon, the occasional librarian otherwise known as Batgirl.
As one of the longest-surviving comics publishers in the business, DC Comics did so (like everyone else who made it) through a combination of quick turnaround, constant reinvention, and relentlessly squeezing every last penny out of their comics. In one of their less-inspired moves, in the 1950s, DC created a spinoff to their tentpole property Superman that came with the highly prosaic title Superman’s Pal Jimmy Olsen.
So far, so bad. However, in one of those granular moments of surreality that comes when publishers chase every cultural trend and damn the logic, that series produced one bona fide classic. We give you: 1969’s fabulous freakout Hippie Olsen’s Hate-In!
Firstly, there’s the issue that Jimmy Olsen looks here more like a bearded dandy from the Edwardian era than hippie (details). Then there’s Jimmy’s tendency throughout the entire series to want to kill Superman. Blog into Mystery notes:
…You don’t have to be Freud or Jung or whoever to see that he has some issues with the most important people in his life. He has no problem with dreaming about punching them, tripping them, or KILLING THEM, without a whole lot — let’s be honest – of provocation for any of those deeds.
This strikes me as a problem.
It seems that Superman has always had this problem. Unlike some superheros—Batman, Spider-man—whose enemies have wanted to do away with them for interfering with their dastardly plans, Superman’s very existence appears to be the driving force behind the hatred, from friend and foe. The very indestructibility that makes him so powerful a force for good and (unfortunately) so uninteresting as a character also engender some very mixed feelings in the all-too-weak people (villains and not) who surround him.
Must make for a lonely life.