Carey Mulligan and dog in ‘Far from the Madding Crowd’ (Fox Searchlight)
In Thomas Vinterberg’s take on Thomas Hardy’s Far from the Madding Crowd, the beautiful outfits and gorgeous Dorset vistas don’t detract a bit from a story about a strong-willed woman willing to rebuff all suitors, no matter how well-suited they might seem.
My review is at PopMatters:
Some people have all the luck. Take Bathsheba Everdere (Carey Mulligan), the willful heroine in Thomas Vintenberg’s gleamingly romantic adaptation of Thomas Hardy’s Far from the Madding Crowd. Mulligan’s perceptive performance gives some hint of Bathsheba’s internal anxieties, but in the main, she is blessed and seems to know it. In 1870 Dorset, at a time in Europe when it was by no means uncommon to fall sick and die or starve to death simply for lack of funds, she is beautiful and unattached, a young woman free to find her way in the world. This comes before her surprise inheritance…
Here’s the trailer, feast your eyes:
There’s something about James Joyce’s last and arguably unreadable novel Finnegans Wake that has always attracted the obsessive. Fans range from Marshall McLuhan—who, one critic quipped after reading his manic interpretations, was possibly the only living person to have read every single line of the book—to those various reading clubs that have popped up where people read a couple pages each meeting over the course of many years.
Now, after one woman spent eight years doggedly translating what Joyce’s wife termed “that chop suey” into Mandarin, the book has proven to be surprisingly successful in China. Per the Wall Street Journal:
A newly affluent nation that prizes black Audi sedans and Louis Vuitton handbags has made a literary status symbol of what may well be English literature’s most difficult work. Thanks in part to a canny marketing campaign involving eye-catching billboards and packaging, “Finnegans Wake” sold out the first, 8,000-volume run shortly after it was released in December. The book briefly rose to No. 2 on a bestseller list run by a Shanghai book industry group, just behind a biography of the late Deng Xiaoping, the architect of China’s modern-day boom.
Perhaps it’s a sign of increasing affluence that people have the inclination to acquire status novels that they have little intention of actually reading.
What gift did the Internets just deliver? A 1994 syllabus from the late, great David Foster Wallace that will make you wish the man had taught at your college. From my post over at Re:Print:
[Wallace’s] syllabus for the Fall 1994 intro class “English 102-Literary Analysis: Prose Fiction” eschews the books we’re all used to from college English lit classes (Zora Neale Hurston, Gabriel Garcia Marquez) in favor of an eclectic mix of mass-market fiction, ranging from Stephen King’s Carrie to Jackie Collins’ Rock Star…
Joe Wright’s electric, Tom Stoppard-scripted take on Anna Karenina didn’t quite get the attention it deserved in theaters last fall. Here’s hoping that it can have a second life on DVD and Blu-ray (available today).
My full review is at Film Journal International:
All the world’s a stage in this highly self-aware yet free-flowing take on Tolstoy’s great novel of doomed romance and the thorny collision of ideals with the world of real humans. Joe Wright’s exciting take will divide audiences, but for those who go along for the ride, they’ll thrill at how it blows their hair back. Instead of moving from one stately mansion to the next, Wright sets most of his scenes inside the same grand but vaguely decrepit theatre, with obvious backdrops and stage props, adding music and elaborate choreography to further stylize the action. It can be read as a statement on the highly artificial world that the Russian aristocracy had entrapped itself in, circa 1874, or a device heightening the novel’s already potent melodrama…
You can see the trailer here:
Getting a look at somebody’s reading habits is always interesting. Not because it reveals particular traits that may lie dormant—though people with very persnickety reading tendencies (I must read everything from the New York Times bestseller list; I can only read one book at a time) are likely to be not the most relaxed types in their everyday life—but because it lets you see something of their inner self.
And sometimes it’s fascinating just because it reminds you exactly what an important part of life the daily habit of reading books is. Take Joe Queenan’s piece from last Saturday’s Wall Street Journal, “My 6,218 Favorite Books.” In it, Queenan writes affectionately of his lifelong addiction to the daily pursuit of printed words on bound pages, and of the somewhat hopeless nature of it:
I’ve never squandered an opportunity to read. There are only 24 hours in the day, seven of which are spent sleeping, and in my view at least four of the remaining 17 must be devoted to reading. A friend once told me that the real message Bram Stoker sought to convey in “Dracula” is that a human being needs to live hundreds and hundreds of years to get all his reading done; that Count Dracula, basically nothing more than a misunderstood bookworm, was draining blood from the necks of 10,000 hapless virgins not because he was the apotheosis of pure evil but because it was the only way he could live long enough to polish off his extensive reading list. But I have no way of knowing if this is true, as I have not yet found time to read “Dracula.”
There is never enough time in the day to read even a fraction of what you want to. So what are you doing here? Get cracking. That pile on your bedside table isn’t going to get any smaller the longer you waste on the Internet.
Lauren Leto, author of Texts from Last Night: All the Texts No One Remembers Sending and Judging a Book By Its Lover, was asked how she—being one of those voracious social media creatures and founder of a viral website—ended up writing books.
Her response, in part:
I am a voracious reader, because I like to not deal with reality very often.
My review of the nine novels in the Library of America’s new two-set volume American Science Fiction is now up at The Millions:
There was something in the air during the 1950s in America that bred an especially grand strain of science fiction whose like was never witnessed before and hasn’t been since. It was a heady concoction: postwar triumph and trauma, unprecedented technological advances, the true advent of mass media swamping the atmosphere, that pseudo-fascistic hum of nationalistic propaganda and blacklisting, and the incessant reminder that a mushroom cloud could end it all… like that. The new Library of America two-volume collection, American Science Fiction: Nine Classic Novels of the 1950s, edited by Gary K. Wolfe, dusts off nine lesser-known novels that illustrate the breadth and depth of what was happening in science fiction during that decade. With its crisply typeset cloth volumes totaling almost 3,000 pages, the sturdy box is a welcome reminder of past joys for some readers and a striking introduction to fresh futuristic wonders and Cold War chills for others…
You can also read essays on these novels by authors from William Gibson to Neil Gaiman at the Library of America site here.