‘Two Days, One Night’ (IFC Films)
In the latest film from the Dardennes brothers, Marion Cotillard deglams to play a factory worker who has to fight for her job in a particularly grueling way. Hopefully, it’ll be the odds-on favorite for the Oscars next year.
Two Days, One Night opens on Christmas Eve in limited release and should expand around the country in the new year. My review is at Film Racket:
In the nervy pressure cooker Two Days, One Night, a hollow-eyed Belgian factory worker tries to convince her co-workers to keep her on at the company instead of getting a raise. The narrative is similar to those gladiator entertainments — see who wins and who goes home — but it’s structured around a different impulse. Here the protagonist is trying to succeed by convincing the other characters to listen to their altruistic instincts. It’s not the sort of thing people normally bet on…
The trailer is here:
Dreaming of greatness, or just dreaming, in ‘Boyhood’ (IFC Films)
Earlier today, New York Film Critics Online—a group that quite generously includes yours truly in its membership—met to hash out the most notable films, filmmakers, and performers in various categories during 2014.
In short, Richard Linklater’s 12-years-in-the-making Boyhood won for best picture and in two other categories, with Alejandro Inarritu’s meta-fictional satire Birdman tied at three wins. Other films like The Imitation Game and particularly The Grand Budapest Hotel received many votes in particular categories but ultimately couldn’t pull out a win. (Note that last year, NYFCO chose 12 Years a Slave as best film, and it went on to win the Oscar … just saying.)
The Hollywood Reporter noted the proceedings, as did award news mavens GoldDerby and The Wrap.
Here’s the full reckoning of what we as a group liked best from 2014, broken down first by category and then our annual Top 10 list; note that several of them (Unbroken, A Most Violent Year, Selma, and Two Days, One Night) won’t get released until Christmas or later this year:
- Best Picture — Boyhood
- Best Director — Richard Linklater, Boyhood
- Best Actor — Eddie Redmayne, The Theory of Everything
- Best Actress — Marion Cotillard, Two Days, One Night
- Best Supporting Actor — J.K. Simmons, Whiplash
- Best Supporting Actress — Patricia Arquette, Boyhood
- Best Screenplay — Birdman
- Best Cinematography — Birdman
- Best Breakthrough Performance — Jack O’Connell, Starred Up and Unbroken
- Best Use of Music — Get On Up
- Best Debut Director — Dan Gilroy, Nightcrawler
- Best Ensemble Cast — Birdman
- Best Foreign Language Film — Two Days, One Night
- Best Documentary — Life Itself
- Best Animated Film — The Lego Movie
The Top 10 Films of 2014
- Guardians of the Galaxy
- The Imitation Game
- A Most Violent Year
- Mr. Turner
- The Theory of Everything
- Under the Skin
Marion Cotillard, Joaquin Phoenix in ‘The Immigrant’ (Weinstein Company)
The newest lovesick melodrama from James Gray is a gorgeously-shot period piece about an immigrant woman (Marion Cotillard) caught between two dueling performers (Joaquin Phoenix, Jeremy Renner) as she desperately tries to free her sister from quarantine on Ellis Island.
The Immigrant is playing now in limited release. My review is at Film Racket:
James Gray’s relentlessly, intoxicatingly melodramatic period love triangle The Immigrant starts on a passenger ship docking at Ellis Island in 1921 and never gets much further than the teeming tenements and seamy fleshpots of Lower East Side. It’s a claustrophobic story, appropriate to the heated-up emotions at play and the specter of a poisoned, dangerous Old World waiting for the heroine should she fail to find a place in the New. Like Gray’s other New York potboilers like We Own the Night and The Yards, The Immigrant is a stubbornly old-fashioned lovesick tale in which the bonds of passion and family are stretched to their snapping point…
Here’s the trailer:
Attracting strangely little attention from the best-of-year listmakers and odds-on awards types, the tough-souled French tearjerker Rust and Bone features a couple of the best performances you’ll see this year outside of The Master:
Marion Cotillard might seem the one to watch in Jacques Audiard’s melodrama, Rust and Bone. She is the movie star, after all, playing a character who suffers a shocking injury and an emotionally convoluted road to recovery. But as her cohort in pain, Matthias Schoenaerts makes the deeper impression. Together, they create a deeply etched study in punishments and limits, in what the body and the soul can endure…
My full review is at PopMatters.
You can see the full trailer here: