On the Media: ‘The Jinx’ and Confessions

thejinx-posterCuriously enough, there is actually a precedent for the news that broke over the weekend with a blockbuster HBO documentary playing an outsized role in an ongoing media sensation of a criminal case.

Decades before Andrew Jarecki’s The Jinx played a (as yet not fully clear) role in the arrest of the perennial murder suspect and troubled millionaire Robert Durst, Joe Berlinger and Bruce Sinofsky’s true-crime classic Paradise Lost (about the West Memphis Three) bumped up against the realities of an ongoing criminal investigation. While filming the proceedings, Berlinger was given a bloody knife that was similar to the murder weapon:

Berlinger told Rachel Maddow on MSNBC on Monday that he immediately went to HBO, and together they decided to turn the knife over to investigators, even though it put their film at risk.

He said he would like to think that he would reach the same conclusion today, but noted the increased pressure to make films as entertaining as possible.

It’s not entirely clear what responsibilities the filmmakers of The Jinx had when confronted with potential evidence of Durst’s culpability some time ago. But the fact that Durst wasn’t arrested until just the day before the miniseries’ last episode on Sunday is being seen by some as a media-manipulated event.

I reviewed the first couple episodes of The Jinx: The Life and Deaths of Robert Durst for PopMatters here.

 

New in Theaters: ‘West of Memphis’

westofmemphis-posterOn Christmas Day, amidst all the other award-hopeful films, one documentary that’s small in budget but massive in scope opens in limited release; it’s well worth seeking out:

Without Joe Berlinger and Bruce Sinofsky’s trilogy of Paradise Lost documentaries, most of the world would never have heard of the West Memphis Three. But when all is said and done, Amy Berg’s impactful film might ultimately stand the test of time as the true document of the case and its hair-raising implications for justice in America…

My full review is at Film Journal International.

The trailer is here: