Tag Archives: science fiction

New on DVD: ‘Cloud Atlas’

cloudatlas1

cloudatlas-dvdDavid Mitchell’s 2004 novel Cloud Atlas is one of those books that has been long assumed to be unfilmmable. But then the Wachowskis jumped into it, bringing on board Run Lola Run‘s Tom Tykwer for additional directing help. The result is a nearly three-hour karmic sci-fi epic that just keeps hitting crescendo after crescendo and made for one of 2012′s most memorable, if under-seen, epics.

Cloud Atlas is available today on Blu-ray and DVD. My full review is available at PopMattershere’s part of it:

Eager to entertain and suffused with nervous energy, Cloud Atlas spans many continents and about half a millennia of human history. As faithful to David Mitchell’s novel as any $100 million enterprise could be, it’s the most daring, thrilling, satisfying, swiftly churning engine of big screen adventure to come along in some time. It even works in a halfway decent Soylent Green joke, which one would imagine wasn’t possible anymore. And oh yes, Hugh Grant plays a bloodthirsty cannibal…

You can watch the extended trailer here:

 

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New in Theaters: ‘Upstream Color’

Amy Seimetz and Shane Carruth try to figure out whose memories are whose in 'Upstream Color'

Amy Seimetz and Shane Carruth try to figure out whose memories are whose in ‘Upstream Color’

upstream-color-posterAlmost a decade ago, Shane Carruth made a tight little puzzler of a science-fiction film called Primer about engineers who accidentally create a time machine; the results make Inception look as easy to decipher as a Michael Bay film.

For his second film, a just-as-puzzling but wider-ranging psychological experiment going under the name Upstream Color, he broadened his scope and palette, throwing a love story into the midst of a mesmerizing thriller about a bizarre kidnap plot. The result is obfuscating, but in a gorgeous and possibly life-illuminating way.

Upstream Color just opened in limited release; it should be sneaking into smarter cinemas around the country over the next couple of months. Expect it to show up on a lot of most-loved and most-hated lists at the year’s end.

My full review is at Film Journal International.

You can watch the trailer here; it’s a beautiful thing to behold.

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Reader’s Corner: Sci-Fi Goes to War

slaugherhouse5The military has ever been one of the structural supports of much American science fiction. Whether they’re heroically battling off alien invaders or corrupting scientific research for their nefarious and war-mongering needs, the boys in green have a long history in the genre.

That’s why it’s particularly interesting whenever you run across a science-fiction writer who actually served in the military and then brought that sensibility to their writing. The responses can vary widely, from the jingoistic Reagan-era militarism of Jerry Pournelle to the ironic action of David Drake to the highly satiric and jaundiced Kurt Vonnegut.

Over at i09, Charlie Jane Anders does a superb job of studying all of the ways these authors brought their experience of war to bear in their fiction, as well as other fantasy and sci-fi authors who were less vocal about their military service (from Tolkien to Clarke).

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Reader’s Corner: 50 Essential Science Fiction Novels

neuromancer-gibsonEvery now and again the good people over at the online used-book emporium AbeBooks put up collections of grand book covers. Those who like this sort of thing enjoy just trolling through all the glorious old designs, with their funky and outmoded typefaces and abstract illustrations. But every now and again they do more of a curated thematic listing. That’s the case with their recent “50 Essential Science Fiction Novels.” As Richard Davies notes, it’s a fairly impossible task:

I wanted to show the unbelievable breadth of this galactic-sized genre and, of course, I failed because this is just the tip of the spaceberg – there are probably 500 essential science fiction books, not 50.

hitchhikersThe list covers everything from William Gibson (pictured) to Jules Verne and J.G. Ballard. It’s not just a piece of literary eye-candy, but a welcome reminder that there’s plenty out there still to be read. (Note to self: need to add more Theodore Sturgeon to the must-buy list.)

Davies notes that selecting these books ”was a virtually impossible task.” Still, there are worse tasks out there in the universe…

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Reader’s Corner: ‘The Forever War’

foreverwar1As we head into the second-to-last weekend of Christmas shopping, some of you may have a problem: What to get the big reader on my list? Well, the stores are full of great options, but if the person you’re buying for has an adventurous mind (i.e., doesn’t limit their science-fiction intake to The Hunger Games-type YA material), then may we recommend Joe Haldeman?

The Atlantic‘s Ta-Nehisi Coates published a short, wonderfully fannish piece on Haldeman’s classic The Forever War last week that mixed up his appreciation of the book (and its take on permanent militarism and homosexuality, along with other themes) with his love of E.L. Doctorow historical fiction and hip-hop. Check it out.

Shocking that somebody like Coates, who seems to have a particular interest not just in military history but also fantasy and sci-fi, never got around to The Forever War before (it’s in the sci-fi welcome packet, along with Canticle for Leibowitz and any number of early Ballard and PKD).

But in any case, take his word for it, this is one hell of a book—even before you consider that the nation is in the middle of at least one unending conflict right at this moment.

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New in Theaters: ‘Cloud Atlas’

David Mitchell’s 2004 novel Cloud Atlas is one of those books that has been long assumed to be unfilmmable. But then the Wachowskis apparently noticed Natalie Portman reading it while they were shooting V for Vendetta and decided, why not? For good measure they brought on Run Lola Run‘s Tom Tykwer for additional directing help. The result is a nearly three-hour karmic sci-fi epic that just keeps hitting crescendo after crescendo.

My full review is at PopMatters:

Eager to entertain and suffused with nervous energy, Cloud Atlas spans many continents and about half a millennia of human history. As faithful to David Mitchell’s novel as any $100 million enterprise could be, it’s the most daring, thrilling, satisfying, swiftly churning engine of big screen adventure to come along in some time. It even works in a halfway decent Soylent Green joke, which one would imagine wasn’t possible anymore. And oh yes, Hugh Grant plays a bloodthirsty cannibal…

Cloud Atlas opens tonight in wide release; check it out in IMAX if possible.

You can see the extended trailer here:

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New in Books: ‘American Science Fiction: Nine Classic Novels of The 1950′s’

My review of the nine novels in the Library of America’s new two-set volume American Science Fiction is now up at The Millions:

There was something in the air during the 1950s in America that bred an especially grand strain of science fiction whose like was never witnessed before and hasn’t been since. It was a heady concoction: postwar triumph and trauma, unprecedented technological advances, the true advent of mass media swamping the atmosphere, that pseudo-fascistic hum of nationalistic propaganda and blacklisting, and the incessant reminder that a mushroom cloud could end it all… like that. The new Library of America two-volume collection, American Science Fiction: Nine Classic Novels of the 1950s, edited by Gary K. Wolfe, dusts off nine lesser-known novels that illustrate the breadth and depth of what was happening in science fiction during that decade. With its crisply typeset cloth volumes totaling almost 3,000 pages, the sturdy box is a welcome reminder of past joys for some readers and a striking introduction to fresh futuristic wonders and Cold War chills for others…

You can also read essays on these novels by authors from William Gibson to Neil Gaiman at the Library of America site here.

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Dept. of Cinematic Futures

In between penning scabrous satiric novels about the soul-crushing pitfalls of modern life, Martin Amis tends to return to his original job as newspaperman and would do the odd newspaper or magazine feature piece. Sometimes those pieces would also feature the soul-crushing pitfalls of modern life. Write what you know.

Back in 1990, the now-defunct Premiere magazine sent Amis to Houston write about Robocop 2, the best-forgotten Frank Miller-scripted homage to cinematic overkill. It’s a scathing piece (collected in the anthology Visiting Mrs. Nabakov), but particularly memorable for this reflection on the modern city:

The main precincts are deserted after 6pm — for this is a modern city, and no one is seriously expected to live in it. You work in it. Elegantly alienated youths rollerskate through the empty malls. They aren’t sullen or simmering or smashed; they are just not interested. Later, the night sky will contain the faint reports of gunfire: the crack wars of the crack gangs. Driving through the more depressed areas the next day, you will find the streets littered with beercans, hookers (“Hey, white boy!”), undergarments, human wigs-and the nomadic poor, clustered in the steel and concrete crevices of the city; soon, the police will come and briskly pressure-hose them out of there, and they will be obliged to regroup somewhere else. But not downtown, where the future is contentedly going about its business. Look into the magenta glass of the looming skyscraper, and what do you see? The reflection of another skyscraper — and another, and then another.

Technically, the film was set in Detroit, but clearly what Amis saw could stand in for any number of post-residential American downtowns, new theories about the return of the urban center notwithstanding.

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Trailer Park: ‘Cloud Atlas’

It’s something that would have been hard to conceive of just 5-10 years ago. But the filmmaking landscape is now so fractured that apparently even quixotic projects like this are able to line up millions of dollars in funding and movie stars galore.

The hard-to-categorize adaptation of David Mitchell’s mind- and time-twister of a novel Cloud Atlas – which stars Tom Hanks, Halle Berry, Keith David, Jim Broadbent, is directed by Tom Tykwer of Run Lola Run fame and written by the Wachowskis (The Matrix) – has been winding its way toward the big screen for a while. Now with an October release date set, the first trailer has been released. This could either be one of those epic disasters of overreach or the kind of thing that leaves people just shattered.

Great, terrible, or mediocre in its final execution, what can be seen in the trailer just takes your breath away:

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