Screening Room: ‘Rebecca’

Not surprisingly, Ben Wheatley’s new take on Daphne du Maurier’s gothic novel Rebecca is just a bit less captivating than Alfred Hitchcock’s.

Rebecca is playing now in some theaters and also on Netflix. My review is at Slant:

While staying in a posh resort on the French Riviera, an unnamed young woman (Lily James) working as traveling companion for acid-tongued, man-hunting dowager Mrs. Van Hopper (Ann Dowd), is romanced by dashing and recently widowed aristocrat Max de Winter (Armie Hammer). In quick order, the somewhat lost-seeming woman marries Max and refashioned as Mrs. de Winter, the new lady of Manderley, Max’s sprawling coastal estate that becomes her gilded cage…

Here’s the trailer:

Writer’s Desk: Take Your Time

In 1991, comedic legend and sometime albatross vendor John Cleese gave a lecture on creativity, a topic he’s been somewhat obsessed with over the years (and in fact just published a short book about it). In that lecture, he gave examples of how to create what he called the “open mood” that allows ideas to come.

One example came from Alfred Hitchcock:

One of Alfred Hitchcock’s regular co-writers has described working with him on screenplays. He says, “When we came up against a block and our discussions became very heated and intense, Hitchcock would suddenly stop and tell a story that had nothing to do with the work at hand. At first, I was almost outraged, and then I discovered that he did this intentionally. He mistrusted working under pressure. He would say ‘We’re pressing, we’re pressing, we’re working too hard. Relax, it will come.’ And, says the writer, of course it finally always did.”

It’s a difficult balance. On the one hand, you have to keep to your writing schedule. Otherwise nothing gets done. On the other hand, pressing against a closed door rarely works.

When nothing is coming to you, sit back, take a breath, go for a walk, and think about something else. The muse is still there, you may just have to wait for her to circle back around to you.

Trailer Park: ‘The Girl’

Alfred Hitchcock had his issues, no question about that. But although his obsessions with guilt, control, and particularly various of his leading ladies have been well documented in print, outside of the cineaste world those proclivities are not well known. That might change somewhat with the release of The Girl.

Premiering in late October on HBO, The Girl is about the legendary campaign of intimidation that Hitch waged against his star Tippi Hedren on the set of The Birds.  Hedren herself has talked about what a miserable experience it was, calling him an “unusual, genius, and evil” filmmaker.

The film about the film stars Sienna Miller as Hedren and (applause) the great Toby Jones as Hitch himself. The director is Julian Jarrold, who directed the first and best of the Red Riding films back in 2009.

Check out the trailer here: