DVD Tuesday: ‘The Royal Tenenbaums’

 

It would be too reductive to say that Wes Anderson’s films are about people who don’t fit in. Yes, his characters are on the oddball end of the spectrum. But in Anderson’s better films (like The Royal Tenenbaums), he doesn’t fall prey to the common bugaboo of those artists who celebrate the unique. Namely, he doesn’t even bother creating an outside world to judge them for their curious behavior. There is no island of misfit toys for his characters to retreat to, because the whole that is visible doesn’t seem much different. Everybody doesn’t fit in, together…

The Royal Tenenbaums is available now in a beautiful new Blu-ray transfer from Criterion. Read my full review at PopMatters.

 

New in Theaters: ‘The Master’

The Master makes what should have been long obvious now utterly clear: Paul Thomas Anderson can lay claim to being one of the era’s few American writer/directors afflicted with greatness. It is hard to think of another home-grown filmmaker who so consistently brings such psychologically astute scripting, and ability to coax nakedly revelatory performances from actors—that classically trained eye for widescreen framing—to each film he makes. The Master may not match the level of artistry or thematic intensity seen in There Will Be Blood, but it is Anderson’s most approachable film in years, not to mention his most vividly realized characters to date. There won’t be much else like it on screens this year…

The Master opens Friday in limited release and expands wider over the next few weeks. My full review is at Film Journal International.

The trailer is here: