Screening Room: ‘Sea of Shadows’

The new documentary Sea of Shadows uses the incredible story of how environmental activists and the Mexican military are fighting cartels to save an endangered whale to highlight what the extinction of one species means for the future.

Produced by Leonardo DiCaprio and directed by Richard Ladkani (The Ivory Game), Sea of Shadows opens this Friday. My review is at Slant:

The whale in question is the vaquita, a dolphin-like creature endemic to the Gulf of California. At the time of this film’s making, there were most likely less than 15 left alive. Not a target of hunting themselves, the vaquitas had the bad luck of swimming in the same waters as the heavily fished totoaba and dying in the nets meant to catch their more valuable neighbors. The vaquitas are ultimately collateral damage in an illegal fishing scheme driven by greed, economic insecurity, failing security apparatuses, interstate organized crime, and more…

Here’s the trailer:

Screening Room: ‘Sicario’

'Nothing will make sense to your American ears'; Benicio Del Toro in 'Sicario' (Lionsgate)
‘Nothing will make sense to your American ears’; Benicio Del Toro in ‘Sicario’ (Lionsgate)

In Denis Villeneuve’s Sicario, an FBI agent played by Emily Blunt is roped into a murky mission targeting a Mexican drug cartel that’s been piling up bodies on the American side of the border. Benicio Del Toro and Josh Brolin play two of her suspiciously close-mouthed and rule-bending handlers.

Sicario-posterSicario is already playing in limited release and expands wider around the country this week. My review is at Short Ends & Leader:

Sicario is a hard-nosed procedural for the post-post 9/11 era. Relevance to the modern era of imploding certainties is etched in every scene. Lines are blurred as spies, soldiers, federal agents, and cops are thrown into hybridized hunter outfits and sent after their targets in a landscape where morality comes in shades of grey and convenience. The film flashes on a collapsing social order, mutilated naked bodies swing underneath overpasses in Ciudad Juarez and hints of the same to come on the American side…

Here’s the trailer:

New in Theaters: ‘Narco Cultura’

'Narco Cultura'
‘Narco Cultura’

narcocultura-posterIn the new documentary Narco Cultura, photographer and journalist Saul Schwarz looks at how the popular narcocorrido music scene revels in and glorifies the splashy lifestyle and ultraviolence of Mexican drug cartels.

My review is at Film Racket; here’s part:

Schwarz splits his murder ballad of a film into two narratives. One is his splashy on-the-road story about Buknas de Culiacan, one of the star bands of the Los Angeles narcocorrido scene, and its leader, Edgar Quintero. A bright-eyed entrepreneurial spirit, Quintero goes beyond just telling stories about the cartel wars taking place just over the border. He happily takes requests directly from the narcos themselves, who are obsessive followers of the scene and eager to get a popular song to burnish their rep. When the crowd sings along to Buknas’ songs, the artistic distance between singer and subject seems practically to disappear…

You can see the trailer here:

 

New in Theaters: Oliver Stone’s ‘Savages’ is a Middling Mess

Oliver Stone’s Savages sets up some fascinating possibilities, few of which it fulfills. Set mostly in an idyllic swath of California beach paradise, the film follows the fortunes of a tightly run and immensely profitable pot operation that gets in the way of a rapidly expanding Baja cartel, which initiates a predictable fight over turf and reputation. Savages might have been a story of innocence lost, the corrosiveness of drug money, the endlessly looping violence of wars abroad and wars at home. Instead, what we got is a lurid revenge melodrama in which killers indulge in bloody excess and everybody does the best they can with some of the year’s worst dialogue…

Savages opened in theaters yesterday. You can read my full review at PopMatters.