Screening Room: ‘Megalopolis’

My review of the long awaited Megalopolis ran at PopMatters:

About an hour and a half into Francis Ford Coppola’s sometimes jaw-dropping and frequently interminable Megalopolis, the sometimes astounding and frequently inscrutable filmmaker finally delivers a scene that seems worthy of the film he seems to believe he is making. During a tense meal with his political rival and future father-in-law Mayor Cicero (Giancarlo Esposito), visionary city planner Cesar Catilina (Adam Driver) makes a passionate argument for the need to create a better world, only to have Cicero sharply retort about how every utopia carries with it a potential dystopia. For good measure, Cicero’s daughter and Cesar’s love Julia (Nathalie Emmanuel) jumps in to make her father’s point with some deftly delivered Marcus Aurelius quotes.

For about a minute, Megalopolis crackles to life with the clarity it has been missing. But soon, the moment is past, and Coppola is back to jumbling together messily overproduced spectacle moments, which add up to far less than the sum of their portentous bits…

Megalopolis opens this weekend. If you’re going, it’s worth springing for the IMAX.

Here’s the trailer:

New in Theaters: ‘Noah’

Every so often it seems that Hollywood gives the Bible epic another go. But there’s something about the genre that could well be so mired in the past that it refuses to be updated; Gibson and Scorsese couldn’t help but fundamentally remake it. Now comes Darren Aronofsky, last seen giving ballerinas nightmares in Black Swan, with his own unique take on the Bible story.

Noah is playing now everywhere. My review is at PopMatters:

In order to tell the story of Noah and the flood for over two hours, the movie erects considerable dramatic and political scaffolding, and in so doing, becomes a Biblical epic truly like no other. With its visionary asides and warnings of environmental apocalypse, it’s too idiosyncratic to make sense as mainstream seat-filler. But Noah is also a tamed thing, curiously lacking in daring for a director usually so eager to pluck an audience’s nerves like a violinist…

You can see the trailer here: