Screening Room: ‘Wasp Network’

Wasp Network

In the 1990s, the Castro regime sent several operatives to infiltrate the Cuban-American emigre community in Miami. Olivier Assayas’ Wasp Network is a fictionalization of that somewhat forgotten sidenote of the post-Cold War years.

Wasp Network is available on Netflix today. My review is at Slant:

Based on Fernando Morais’s 2011 book The Last Soldiers of the Cold War, the film starts out as a crisply paced, lavishly photographed, and character-based study of what the members of the so-called “Cuban Five” spy ring did and how they did it. Unfortunately, it spreads its attentions so wide and at times without consequence that the import of the events it depicts starts to get lost…

Here’s the trailer:

Screening Room: ‘Museo’

In the latest movie from Mexican director Alonso Ruizpalacios, Gael Garcia Bernal plays Juan, a slacker in 1980s Mexico who comes up with a spectacularly bad idea: to rip off antiques from the National Museum of Anthropology.

A heist comedy with melancholy and bite, Museo is playing now. My review is at Film Journal International:

Juan is a layabout sluggard wasting his days in the staid 1980s confines of Satellite City while occasionally attending veterinary school w. Ruizpalacios loops his movie around a few times before getting to the crux of the matter, rhythmically tracking life with a grinning world-weariness evoking the artfully composed New Wave ironies of his last feature, Güeros. When it becomes clear that Juan wants to rob the museum when it’s closed for renovations over the holidays, the movie doesn’t spend too much time on the machinations because the end result is obvious…

Here’s the trailer: