New on DVD: ‘The Galapagos Affair: Satan Came to Eden’

Dore Strauch and Friedrich Ritter in their Galapagos garden, c. 1932 (Zeitgeist Films)
Dore Strauch and Friedrich Ritter in their Galapagos garden, c. 1932 (Zeitgeist Films)

galapagos affair-dvd coverA Nietszche-loving disgruntled German doctor and his worshipful, sickly wife; a “Baroness” who believes no man can resist her; an isolated island; weaponry and jealousy. How could anything go wrong? The story of how it really, really did is the subject of The Galapagos Affair: Satan Came to Eden, one of the year’s curiouser documentaries.

The Galapagos Affair is on DVD and Blu-ray now. My review is at PopMatters:

In 1929, a certain kind of European man apparently thought nothing of packing up and moving himself and his family to a remote cluster of islands far off the coast of Ecuador … The first couple to arrive on the tiny and uninhabited island of Floreana was Friedrich Ritter and Dore Strauch. From his and Dore’s writings, it’s clear that Friedrich was a walking stereotype of the clueless Germanic intellectual, so slavishly devoted to his beloved Nietzsche that reality didn’t stand a chance. A successful doctor who believed society to be “a huge impersonal monster,” Friedrich moved them to Floreana in order to “make an Eden.” That they were both married at the time to other people and didn’t know much of anything about surviving in the wild wasn’t deemed an obstacle…

Here’s the trailer:

New in Theaters: ‘The Monuments Men’

Matt Damon and George Clooney in 'The Monuments Men'
Matt Damon and George Clooney in ‘The Monuments Men’

monumentsmenposter1During the latter part of World War II, as the Allies were advancing across Western Europe, special detachments of experts known as the Monuments Men fanned out with lists and a mandate to keep their own soldiers from demolishing cultural artifacts and finding those works that the Nazis had tried to keep for themselves. George Clooney’s attempt at turning that sliver of history into a cool, guys-on-a-mission film sadly falls apart almost before the opening credits begin.

The Monuments Men is playing now. My review is at Short Ends & Leader:

The film assembles a dream assemble and then abandons them without a story to work from. Clooney’s lack of control over his material is evident from the beginning. Playing team leader Frank Stokes, Clooney gets his presidential assignment (a bungled, laughable scene with one of the more comical FDR impressions seen on film since Annie) and starts getting the band together. Chicago architect Richard Campbell (Bill Murray), art restorer James Granger (Matt Damon), sculptor Walter Garfield (John Goodman), and the just generally artsy Preston Savitz (Bob Balaban). (Later on, Hugh Bonneville and Jean Dujardin join the gang for some Continental color.) This should be basic stuff, a few character-establishing moments and team-building quips, plus the easy comedy of watching the academics struggle through basic training before their mission. But Clooney muffs almost everything from the start…

A couple of the actual Monuments Men with a stolen Rembrandt found in a German salt mine.
A couple of the actual Monuments Men with a stolen Rembrandt found in a German salt mine.

The trailer is here:

Now Playing: ‘Generation War’

Generation-War1
‘Generation War’: A Drink, For Tomorrow We May Die

generationwar-posterFive friends meet for one last night together before three of them head off to war. It’s not the newest of premises but what gives the nearly five-hour epic Generation War more of a kick is that it’s about five German youths who will be hurled into the morally-devastating crucible of World War II.

It’s playing now in limited release and should hit DVD soon. My review is at Film Racket:

Controversial but also hugely popular in Germany, where it aired as a TV miniseries, this dynamic story about five friends sucked into the bloody maw of the Second World War is in line with earlier efforts to fit big-screen ideas and scope into a small-screen format. Much like those Herman Wouk adaptation epics of decades past, Generation War uses carefully pigeonholed and typecast characters as chess pieces to be moved about the broad, years-spanning story to cover as many points of interest and historical drama as possible. This produces a somewhat mechanical narrative, something that the hardworking cast resists as best they can, continually hitting high strumming notes of melodrama amidst the exploding shells…

The trailer is here: