Now Playing: ‘The Drop’

Tom Hardy, faithful dog, and Noomi Rapace in 'The Drop' (Fox Searchlight Pictures)
Tom Hardy, faithful dog, and Noomi Rapace in ‘The Drop’ (Fox Searchlight Pictures)

With a screenplay by Dennis Lehane (Mystic RiverShutter Island), an Oscar-nominated director (Michaël R. Roskam, for Bullhead), and an Oscar-worthy turn by Tom Hardy, The Drop would seem to have plenty of ability to overcome its status as a run-of-the-mill crime drama about a mob-linked bar in Brooklyn. Whether it does or doesn’t is up for debate; the genius of Hardy’s performance shouldn’t be.

The Drop is playing in most markets around the country now. My review is at PopMatters:

The response of your average cineaste, upon hearing the words “In Brooklyn…” in a film’s opening narration, is to look for the nearest exit. What follows is too frequently more mythologizing than storytelling. The borough is transformed from specific place to psychic landscape, full of tribal loyalties and tight bonds, where the begrimed and as-yet ungentrified street scene indicates bootstrapping and self-policing pride. Cops not needed here.

However, if you follow your instincts and bolt at the start of Michael R. Roskam’s sturdy and bleak noir The Drop, you miss Tom Hardy creating a thing of beauty yet again…

You can see the trailer here:

New in Theaters: ‘Violet and Daisy’

Alexis Bledel and Saoirse Ronan get all giggly before their next hit in 'Violet and Daisey'
Alexis Bledel and Saoirse Ronan get all giggly before their next hit in ‘Violet and Daisey’

VIOLETDAISY_FINAL_POSTER1A few years back, Geoffrey Fletcher wrote the screenplay for Lee Daniels’ scorching tale of family dysfunction Precious. Now Fletcher is directing his own script for another wildly over-the-top story, only this time it’s supposed to be an archly ironic assassin comedy.

Violet and Daisy is playing now in very very limited release. My review ran at Film Journal International; here’s part:

Fletcher starts off strong, with a pair of teenage-looking girls staring despondently at a poster announcing the cancellation of a concert by their hero, Barbie Sunday. Violet (Alexis Bledel) and Daisy (Saoirse Ronan) go to work anyway. We next see them walking down the street carrying pizza boxes and dressed up as nuns. Chattering brightly, they knock on an apartment door. Once it’s opened, the two start blazing away with semi-automatic pistols. Several dead guys later, the two are revealed to be hit-girls-for-hire working for some never-seen crime boss who apparently needs people rubbed out just about every other day…

You can watch the trailer here: