George Orwell started off Nineteen Eighty-Four this way:
It was a bright, cold day in April, and the clocks were striking thirteen.
That day was April 4.
So in a backhanded compliment to Orwell’s ability to portend, shall we say, certain aspects of the modern political climate, theaters around the country are screening Michael Radford’s movie adaptation tonight. Check out the participating theaters here.
Bong Joon-ho is a South Korean director who isn’t a household name in the States but by all rights should be. In his newest film, Snowpiercer, he imagines a quasi-steampunk post-apocalyptic thriller that’s also a handy little morality tale about class inequality.
Snowpiercer is available now on DVD and Blu-ray. My review is at PopMatters:
The physics of Snowpiercer’s futuristic plot are as stripped-down as the backstory is convoluted. Every human being left alive is on board one train snaking across the frozen wasteland. First class is up front, replete with late Roman Empire consumption and a mindset best described as rave-club Borgia. Everybody else is crammed cheek-to-jowl in the filthy back of the train. Those in back want to get up front. All that stands between them are many locked doors, squads of malevolent guards, years of social conditioning, and Tilda Swinton acting like a toothy Margaret Thatcher after one too many gin and tonics…
In the history of legendary cinematic disasters, there are flops and then there is Heaven’s Gate:
In his interview on the Criterion Collection release of the 1980 Michael Cimino film Heaven’s Gate, a craggy-looking Kris Kristofferson makes a strong appeal for the roundly maligned Western as being a potent work of political cinema. Kristofferson sticks up for Cimino’s indictment of Manifest Destiny and robber baron greed at the end of the 19th century. Of course, he did star in the thing. But still, this is the iconoclast’s take, and an unpopular coming after more than two decades of popular film history telling us that not only was Heaven’s Gate one of the greatest disasters in film history (it took in less than ten percent of the $40 million budget at the box office) but that it single-handedly ended the free-wheeling era of American filmmaking…
The Criterion Collection now offers Heaven’s Gate on DVD and Blu-ray, with plenty of the usual extras. My full review of the DVD edition is at PopMatters.
You can see the trailer for the original film release here: