New in Theaters: ‘Jack Ryan: Shadow Recruit’

Chris Pine exploring a post-Cold War Moscow in 'Jack Ryan: Shadow Recruit'
Chris Pine exploring a post-Cold War Moscow in ‘Jack Ryan: Shadow Recruit’

Jack_Ryan_Shadow_Recruit_posterTom Clancy’s Jack Ryan was your basic all-around Cold War fighter, able to lead men into battle and synthesize data with equal ease; an analyst who knew his way around a battlefield. Alec Baldwin, Harrison Ford, and Ben Affleck have played him in the four movie adaptations of Clancy’s bestselling novels. Now, just a few months after Clancy’s passing, Kenneth Branagh’s new take on the series hits screens with Star Trek‘s Chris Pine in the starring role and a wholly new storyline “inspired by” the Ryan books.

My review is at Film Journal International:

For this second reboot after 2002’s unloved Ben Affleck vehicle The Sum of All Fears, the Cold War franchise is repurposed for new threats with a dramatically younger-seeming hero. It’s a high-action and chase-heavy origin story in the more self-aware Casino Royale mold, with brisker action and nods at its hero’s vulnerabilities. Chris Pine is now the fourth actor to strap on the security badge as Jack Ryan. With his glowing blue eyes and the demeanor of a just-barely-reformed frat guy fresh out of college, he’s by far the most schoolboy of the lot, though at 34 he’s actually older than Alec Baldwin was when inaugurating the character in 1990’s The Hunt for Red October. Pine isn’t the worst choice for the role, he has a whippet physicality and a crafty gleam, but it’s hard to see him growing old in this role…

Kenneth Branagh and Keira Knightley get friendly
Kenneth Branagh and Keira Knightley get friendly

You can see the trailer here:

New on DVD: ‘Much Ado About Nothing’

Alexis Denisof  and Amy Acker play Benedick and Beatrice in Joss Whedon's 'Much Ado About Nothing'
Alexis Denisof and Amy Acker play Benedick and Beatrice in Joss Whedon’s ‘Much Ado About Nothing’

muchadoaboutnothing-dvdThe best of this week’s DVD releases comes to us courtesy of Joss Whedon. His bright and sparkling black-and-white adaptation of Much Ado About Nothing differs from most other takes on Shakespeare’s comedies for actually being…funny.

My full review is at Film Journal International:

While cleaving away some of Shakespeare’s more dragging plot points, Whedon hews to the original text. He also lets the plot breathe and move at its own quick pace, trusting the audience not to require the anxious pushiness of Kenneth Branagh’s 1993 version…

You can watch the trailer here: