Writer’s Desk: Be More Than a Writer

There are people who have known all their lives that they wanted to be a writer. That’s a lot of us, to some degree. Then they tend to face that chasm between the want and the real. Is it a book deal? Getting an agent? Self-publishing and hoping a publishing house notices it? Being one of those strange tables at the publishing convention selling just one book that everyone stays away from?

The comparison between filmmaking and writing isn’t exact, of course. The former is far more collaborative and way more expensive. But filmmaker Mark Duplass made a worthwhile point when he said this:

It’s really hard, and particularly hard for screenwriters, because nobody wants to read your script. It just sucks. Until you’ve made something, until you’ve proven yourself, you’re basically a nuisance to everyone that you’re trying to get your script to, so you have to find a way to make yourself valuable. I know the first response is, “Well, I’m not a director, and I’m not an actor. I’m just a writer.” And my basic response is, “Then you’re going to be stuck.” I’m sorry, if that’s the way you think about it, you’re kind of going to go nowhere…

Don’t be afraid to be a nuisance. Get out there. Bring your book everywhere. Show it to anybody who will glance. Do what you have to do.

Unfortunately, being a writer takes more than writing.

Now Playing: Romantic Comedy Sci-Fi in ‘The One I Love’

Elisabeth Moss and Mark Duplass get a surreal bit of marriage counseling in 'The One I Love' (RADiUS-TWC)
Elisabeth Moss and Mark Duplass get a surreal bit of marriage counseling in ‘The One I Love’ (RADiUS-TWC)

The One I Love is playing now in highly limited release. My review is at Film Racket:

How well can we ever know each other? That’s one of the less interesting questions posed by Charlie McDowell’s willowy and romantic science-fiction two-hander with a Twilight Zone twist about a couple with marriage problems whose sojourn at a therapeutic retreat takes a quirky turn. When the story is fully locked in, it wrestles with some more gripping issues of identity and a Machiavellian spin on relationship dynamics. But all too often, it falls back on easygoing relationship drama that saps the underlying premise of its more meaningful promise….

You can see the trailer here: