Screening Room: ‘Just Mercy’

Jamie Foxx and Michael B. Jordan in ‘Just Mercy’ (Warner Bros.)

Based on Bryan Stevenson’s book about his crusade against the death penalty, the new movie Just Mercy stars Michael B. Jordan as Stevenson and Jamie Foxx as one of the poor defendants railroaded for a murder he didn’t commit (ironically, in the town that inspired Harper Lee’s To Kill a Mockingbird).

Just Mercy is playing now. My review is at Eyes Wide Open:

You might not have noticed it, but one of the best-acted recent major-studio dramas was just released into theaters. That is because, despite the presence of bankable stars like Michael B. Jordan, Jamie Foxx, and Captain Marvel herself, and a riveting true-life story about a bona fide champion of justice, Warner Bros. has shown about as much confidence in the commercial prospects of Destin Daniel Cretton’s Just Mercy as Sony did in the bungled blink-and-you-missed-it release of Charlie’s Angels

Here’s the trailer:

TV Room: ‘Fahrenheit 451’

Michael B. Jordan in ‘Fahrenheit 451’ (HBO)

Indie director Ramin Bahrani (Goodbye Solo, 99 Homes) takes a detour into the land of splashy classic literature adaptations with his take on the great Fahrenheit 451, which premieres on HBO this Saturday.

My review is at The Playlist:

There’s a lot left out in this noisy and luridly shot but thin adaptation of Ray Bradbury’s novel. A prescient fable about the death of the imagination and individuality in the postwar war, it imagines a world where the houses have all been fireproofed and firemen race through nighttime streets looking for books to burn..

Here’s the trailer:

Now Playing: ‘Fruitvale Station’

Ariana Neal and Michael B. Jordan in 'Fruitvale Station'
Ariana Neal and Michael B. Jordan in ‘Fruitvale Station’

fruitvalestation-posterNearly every year there’s a scrappy indie flick that comes into the Sundance Film Festival and blows everyone away. All too often, though, once the film itself comes down from the high mountain air, it seems markedly less unique. Fortunately, with Ryan Coogler’s devastating Fruitvale Station, that is not the case. It plays just as well in a multiplex alongside The Wolverine as it does in the rarefied festival air.

My full review is at Film Racket; here’s part:

Nothing about the 2009 shooting of Oscar Grant makes sense. For his keen, impassioned debut, writer/director Ryan Coogler avoids one of the most common mistakes seen in based-on-a-true-story movies, he doesn’t try to make it make sense. It shouldn’t, because one version of what actually happened is the first thing shown in the film. A grainy cellphone video taken from the open door of a BART train car paused at an Oakland station shows a few young black men being held down by a few white transit police; there’s a minor-looking scuffle and then a shot goes off. The momentum of those shaky images,  is stuttering and randomized. When the tragic moment happens, it doesn’t feel right to happen like that. Not yet…

You can watch the trailer here: