New in Theaters: ‘Boyhood’ is Magic

Ellar Coltrane in 'Boyhood' (IFC Films)
Ellar Coltrane in ‘Boyhood’ (IFC Films)

boyhood-poster1Richard Linklater (Dazed and Confused, the Before trilogy) spent twelve years shooting a movie about a boy growing up in Texas with divorced parents, filming the actors as they naturally aged. It’s an experiment, yes, following this kid from age six to his first day at college, but one that pays off rich dividends more often than not.

Boyhood opens in limited release this week and should creep into more theaters around the country over the summer. My review is at Film Racket:

Wobbly at times but still magical in an everyday way, Richard Linklater’s Boyhood proves that intimate doesn’t have to equal melodrama and experimental can still be perfectly approachable. The film follows a quiet and daydream-prone boy, Mason (Ellar Coltrane, likable if sometimes stiff), growing up in Texas with snarky older sister Samantha (Lorelei Linklater) and divorced parents (Patricia Arquette, Ethan Hawke). There’s no story, per se, it’s just his life from about age 7 to 18. The look is straightforward and shorn of obvious directorial flair, the often affectless dialogue even more so. But that deceptively simple framework is rich with accrued detail and even some backhanded insight….

Here’s the trailer:

Film Flashback: ‘True Romance’

One of the late Tony Scott’s films that broke free of his glossy Top Gun / Beverly Hills Cop 2 template was 1993’s True Romance. Scripted by Quentin Tarantino and his old running buddy Roger Avary, it featured Clarence (Christian Slater), an Elvis-worshipping Tarantino-esque comic-book geek who goes on the run with the proverbial golden-hearted hooker Alabama (Patricia Arquette) after killing her pimp (Gary Oldman). Everything ends up in a feather-strewn and John Woo-esque shootout with mobsters, movie producers, and the FBI. With its glossy cinematography and crowded cast of stars who wanted in on the next big thing, this was a turning point for Scott and Tarantino in specific, and Hollywood in general…

My article “What ‘True Romance’ Did for Tony Scott and Hollywood” is up at PopMatters.

The original trailer is here: