Screening Room: ‘Wonder Woman 1984’

The sequel Wonder Woman 1984 opens in some theaters and on HBO on Christmas. My review is at Slant:

Calling Patty Jenkins’s Wonder Woman 1984 a perfectly acceptable comic-book adventure might sound more negative than intended. But in a time when the genre is more typically given to the kind of world-building that seems primarily committed to spinning off corporate cinematic widgets (Avengers: Endgame, extended Snyder cuts, and the upcoming onslaught of new-universe-spawning Marvel flicks), a standalone story more engaged with its characters than series continuity is almost refreshing…

Here’s the trailer:

Screening Room: Summer Movies, the Oscars, and ‘Wonder Woman’

My article “Wonder Woman was Fine but It Shouldn’t Win an Oscar” is now available at Eyes Wide Open:

The summer movie season is undergoing the usual August agita. That’s when industry watchers and studio execs wring their hands over what’s going wrong with the business. Traditionally, the swelter of summer was when people turned off their brains, went to the multiplex, bought tubs of popcorn, and luxuriated in the air conditioning while watching Michael Bay blow things up with subwoofer-shredding thunderousness. That’s less and less the case, and the empty-seat summer of 2017 is an object lesson in what has gone wrong. There are a few reasons for this…