New in Theaters: ‘Dawn of the Planet of the Apes’ Features Yet More Apes

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Caesar leads his primate army in ‘Dawn of the Planet of the Apes’ (Twentieth Century Fox)

dawnplanetapes-posterThe ever-expanding world of sci-fi reboots gets another entry with Dawn of the Planet of the Apes, which rejiggers themes and even a few climactic scenes from the raggedy 1970s series (Conquest of…Battle for…, etc.) only without much satirical intent. Like 2011’s admittedly lamer Rise of the Planet of the Apes, none of it manages to stand out except, again, for Andy Serkis’ regal, affecting, and soulful performance as the leader of the apes, Caesar.

Dawn of the Planet of the Apes is now playing pretty much everywhere. My review is at PopMatters:

[The film is] expected to deliver summer action set-pieces, including the battle featuring a rifle-wielding ape cavalry that was promised in its saturation ad campaign. As misunderstandings accumulate and warmongers on both sides get their way, the battle is joined on the crumbled, vine-covered streets of San Francisco. Many, many apes are shot down but curiously, we see just about no humans killed. This may be a nod to a specist ratings board in order to keep a PG-13, but it also points to a general lack of interest in the human characters. Even the heroic humans are pallid and unmemorable, unlike the carefully delineated apes. By the time the apes do gear up for battle, the audience is ready to charge right along with them…

You can see the trailer here:

New in Theaters: ‘The Rover’

Robert Pattinson in 'The Rover' (A24)
Robert Pattinson in ‘The Rover’ (A24)

therover-posterThe latest movie about what happens after society falls apart is The Rover, a bloody and spare Australian revenge Western set in a burnt-up stretch of the outback where a gun is the law.

The Rover opens in limited release Friday and then goes wider on June 20. My review is at Film Racket:

Most post-apocalyptic vengeance stories like The Rover at least flirt with nihilism. But this is normally just window-dressing there to throw a little grit under the wheels of something all too familiar. What makes David Michod’s hot, percussive, jolting film stand out from the after-the-fall pack is its realization of just how far its protagonists have fallen, even compared to the tattered remnants of civilization around them…

Here’s the trailer: