Screening Room: ‘The Witches’

Back in 1990, Nicolas Roeg directed a gruesome, jauntily black-humored adaptation of Roald Dahl’s The Witches. It had its flaws but … Anjelica Huston.

Robert Zemeckis’ new take for HBO premieres next week. And, well, Anne Hathaway… My review is at Slant:

For anybody arguing that the grand potential for boundary-breaking entertainment in 2020’s wide-open world of content-hungry streaming services has produced more mediocrity than anything else, Robert Zemeckis’s take on Roald Dahl’s dementedly fun short novel The Witches could serve as a key piece of evidence. While there are some elements to admire in this adaptation, particularly its being cast with mostly black performers, much of it falls into the category of Competent But Unnecessary Remake. In other words, another piece of family-friendly-ish content to fill the yawning hours of pandemic confinement…

Here’s the trailer:

Writer’s Desk: Roald Dahl Suggests Eschewing Beastly Adjectives

Roald Dahl (Carl Van Vechten, 1954)

In 1980, Roald Dahl was one of the world’s most famous authors. But when a young Jay Williams wrote a letter to Dahl asking for some writing advice, the author of James and the Giant Peach and The Witches, among other classics, took the time to write back.

Here’s part of what Dahl said:

I have read your story. I don’t think it’s bad, but you must stop using too many adjectives. Study Hemingway, particularly his early work and learn how to write short sentences and how to eschew all those beastly adjectives. Surely it is better to say “She was a tall girl with a bosom” than “She was a tall girl with a shapely, prominent bosom”, or some such rubbish. The first one says it all…

You can see the original letter here.

The young Williams grew up to become a newspaper writer, a job that obviously requires trimming the fat. Williams later said that Dahl’s response was the best advice he’d ever been given.