Writer’s Desk: Don’t Worry About Art

Bill Hader wrote in the Hollywood Reporter that before he was on SNL he had a very specific and romantic idea of what a writer’s life was like:

My high school girlfriend gave me a copy of Jill Krementz’s The Writer’s Desk — this collection of her beautiful portraits of writers — and that’s how I wanted to live. Wake up, get your coffee, look outside, ruminate and sit down at your mahogany desk like Philip Roth. That’s fucking rad. That’s the life…

Many of us can relate. We know that dream.

But then we also come to discover that, well, it’s a dream:

In reality, there’s no mahogany desk. There’s only a conference room table, and you’re lying on the floor underneath it, scrawling something in mangled Italian on the back of an old lunch order for the Vinny Vedecci sketch. You can’t sit there and wait for inspiration. You think on the fly. You get the work done. You spend every day, every hour you have, trying to make the thing better…

Sometimes, as on-the-fly and unattractive as real writing is, it can be more satisfying in the end.

But a mahogany desk would still be nice.

Screening Room: ‘Sleeping with Other People’

Alison Brie and Jason Sudeikis try to resist each other's charms in 'Sleeping with Other People' (IFC Films)
Alison Brie and Jason Sudeikis try to resist each other’s charms in ‘Sleeping with Other People’ (IFC Films)

Although Trainwreck garnered all the headlines for this year’s explicit woman-oriented edgy romantic comedy, Leslye Headland’s Sleeping with Other People fulfills a lot of the promise that that Amy Schumer/Judd Apatow collaboration couldn’t quite deliver on.

Sleeping with Other People is playing now. My review is at PopMatters:

A deconstructive sweet-and-sourball of a romantic comedy, Sleeping With Other People seems made for the therapeutically inclined. To that end, it doesn’t quite deliver the story we might expect from its initial meet-cute. Lainey (Alison Brie) and Jake (Jason Sudeikis) do make their way to a big dance number and some climactic soul-baring, but Leslye Headland’s movie doesn’t balance out emotional payoffs for everybody. Both partners learn lessons, but neither quite gets what they want…

Here’s the trailer:

Department of Weekend Reading: February 20, 2015

reading1