TV Room: ‘Watchmen’

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Regina King as Sister Knight in ‘Watchmen’ (HBO)

Damon Lindelof’s wonderfully strange and deeply political Watchmen series is more interested in exploring the further ramifications of Alan Moore’s groundbreaking graphic novel than producing a faithful reenactment. It’s a high-risk move but one that appears so far to be paying off.

My article on Watchmen is at PopMatters:

The first episode, a direly ironic hour, kicks off in Tulsa during the 1921 massacre in which whites rampaged through the black neighborhood of Greenwood. Jumping to an alternate-historical 2019 Tulsa, Oklahoma, in which the racially-mixed police wear masks to protect their identity from a murderous white-supremacist underground called the Seventh Kavalry (for Custer’s unit decimated at Little Big Horn), the episode uses the massacre less as plot point and more as ominous overture…

Here’s the trailer:

Writer’s Desk: Let the Magic Happen

When graphic novelist Alan Moore (Watchmen, League of Extraordinary Gentlemen) was asked by a fan what “happens” to him when he writes, this is in part how he replied:

I know that my consciousness, if I am immersed in writing something demanding, is moved into a completely different state than the one which I inhabit during most of my waking life…

When you descend into this level of our reality, the code of our reality if you like, then whether consciously or not; whether deliberately or not, you are working magic. So, the answer to your question as to what happens to me when I write, is the most banal and useless answer you will ever get from an author: the magic happens…

One of the secrets to writing, it would seem, is to allow yourself to descend into that fugue state and just let the magic work its way through you.

It seems to have worked for Moore.

Reader’s Corner: The Books Facebook Users Love

hitchhikers1Does this list say something about who’s using Facebook? In yet another of the listicles that they’re famous for, BuzzFeed shows the Top 20 books most beloved by Facebook users. With the exception of the number one pick (Harry Potter and the Sorcerer’s Stone?), it’s pretty much what you would expect:

  • Great Modern Novels I Had To Read In School But Actually Liked (1984, The Great Gatsby)
  • Books That I Read 50 Million Times As A Child And Whisked Me Away Somewhere Magical Each Time (The Lion, the Witch, and the WardrobeAnne of Green GablesA Wrinkle in TimeThe Lord of the Rings)
  • Actual Classics That Tend Not To Be Assigned In School Anymore (Jane EyrePride and Prejudice)
  • Self-Help Creed Masked As Literature (The Alchemist)
  • The Only Book I Read In The Past Few Years (The Hunger Games)
  • Outlier (The Handmaid’s Tale, The Hitchhiker’s Guide to the Galaxy, The Bible)

watchmen1When you dig into the full dataset that Facebook made available, particularly the full Top 100 list, a few more surprises pop up. There’s a heavier sprinkling of modern YA, plus the occasional religious text (The Book of Mormon). But what’s fascinating is just how overwhelmingly genre the list is, compared to what it might have been a few years ago. Even though many mainstream readers barely know who they are, Terry Pratchett, Orson Scott Card, Alan Moore, Robert Heinlein, and Robert Jordan all make appearances here.

This begs the question: Are Facebook users geekier than the population at large, or as the percentage of adults who actually read books falls every year, are genre fans just the ones more likely to keep reading books as opposed to tweets?

Also: is it a problem that the number-one book is Harry Potter? After all, according to Scientific American, children who were read to from those books acted more compassionately afterwards.