Monthly Archives: December 2007

In Theaters


What does one do, or even say, about a film that is, by any measurement that matters, perfect? When considering Persepolis, Marjane Satrapi and Vincent Paronnaud’s finely etched animated adaptation of Satrapi’s two-part autobiographical graphic novel about growing up in Tehran during the revolution and the Iran-Iraq War, the problem (if one could call it that) becomes particularly acute. By compressing into this film the myriad of themes that it handles, the filmmakers could have easily encumbered it with a weight that would have outweighed its many sharp delights. But by some strange and fortunate circumstance, they have managed to incorporate each of those weighty topics into a work of art that’s light as a feather, in the manner of the true masterpiece.

Persepolis is in limited release now. You can read the full review at filmcritic.com.

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In Books

Ellis is very good at relating the frightening moments of dramatic risk undergirding the history of the American Revolution, and it’s a skill that makes American Creation as enjoyable a read as it is. This is fortunate as the organizing principle behind the book can seem a bit loose, as evidenced by the grab-bag subtitle: “Triumphs and Tragedies at the Founding of the Republic.” Although it may well be that Ellis simply had a goodly pile of research that he didn’t want to waste and wanted to see how he could get a decent book out of it, that shouldn’t by any means deter readers, particularly those who appreciate a brisk, left-field approach in their history.

You can read the full article about American Creation at PopMatters.

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New on DVD

By the end of season three of The Wire — aka HBO’s best excuse for staying on the air — one could sense that the show had, in some sense of the word, come to an end. It was certainly clear for a time that HBO executives thought so, having come close to canceling the multifaceted, frighteningly addictive urban drama yet again, as it never pulled anywhere near the kind of ratings that their warhorses like The Sopranos and Sex and the City had. With nobody of real consequence running the West Baltimore drug trade (the Barksdales’ chief rival and replacement, Marlo Stanfield, seems at first nothing more than some punk kid), what would be left that was worth watching? Plenty, it turns out.

The complete DVD set of The Wire: Season Four is in stores now and ready for your holiday purchase. You can read the full review at filmcritic.com.

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In Theaters

There Will Be Blood — an impressively strange and enchanting epic from Paul Thomas Anderson that quite considerably restarts a reputation that had been somewhat savaged, and rightfully so, by Punch-Drunk Love — has bigger game to hunt than the particular lunacies of one extraordinarily driven man on the soon-to-be-stitched fringe of the nation. Loosely inspired by Sinclair Lewis’ novel Oil!, this is a history of American capitalism, boiled down to its rapacious essentials and paired with an equally hungry and competitive Christianity — the twinned belief systems coil through the film with serpentine menace.

There Will Be Blood will be opening the day after Christmas in a theater (hopefully) near you. You can read the full review at Culture Cartel.

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In Theaters

Practically no other nation’s modern history has been so rife with grief and shattered expectations as that of Afghanistan; a fact utilized to maximum effect by Marc Foster in his adaptation of Khaled Hosseini’s book club blockbuster The Kite Runner. Starting in the relatively chaos-free years before the Soviet invasion and concluding in the middle of the Taliban’s theocratic lockdown, the film manages the difficult task of tracking massive historical upheavals while keeping tightly focused on the people forced to live through such tumultuous changes.

The Kite Runner opened in theaters today. You can read the full review in filmcritic.com.

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New on DVD

Lost to the non-Communist world for some three decades, I Am Cuba (Soy Cuba) has arrived at last on DVD. It has been well worth the wait: the high-flying poem of a plot, the daredevil cinematography that nearly dances, the pulse-quickening humanism: all mark it as a rare emblem of a more idealistic past. Originally produced in 1964 by Mikhail Kalatozov, and intended as an epic representation of the 1959 overthrow of Cuban dictator Fulgencio Batista, for reasons reeking of Soviet censorship, the film was never screened, except for a few times in the USSR and Cuba.

A new 3-disc DVD set of this lost classic is now available from Milestone. You can read the full review at PopMatters.

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In Film

New York Film Critics Online, a group that counts myself as a member in so-so standing, met over the weekend to debate the merits of the entire past year in cinema, and here’s what we decided: In short, There Will Be Blood is a really great movie. Variety reported on our winners here, or you can read the full list below.

BEST PICTURE – The Diving Bell and the Butterfly (tie) There Will Be Blood (tie)

BEST DIRECTOR – Paul Thomas Anderson, There Will Be Blood

BEST ACTOR – Daniel Day-Lewis, There Will Be Blood

BEST ACTRESS – Julie Christie, Away From Her

BEST SUPPORTING ACTOR – Javier Bardem, No Country for Old Men

BEST SUPPORTING ACTRESS – Cate Blanchett, I’m Not There

BEST CINEMATOGRAPHY – There Will Be Blood, Robert Elswit

BEST SCREENPLAY – The Darjeeling Limited: Wes Anderson, Jason Schwartzman, Roman Coppola

BEST FOREIGN PICTURE – The Lives of Others (tie) Persepolis (tie)

BEST DOCUMENTARY – Sicko

BEST ANIMATED FEATURE – Persepolis

BEST MUSIC/SCORE – There Will Be Blood, Jonny Greenwood

BEST BREAKOUT PERFORMANCE – Ellen Page, Juno

BEST DEBUT AS DIRECTOR – Sarah Polley, Away From Her

BEST ENSEMBLE PERFORMANCE – Before the Devil Knows You’re Dead

BEST PICTURES (alphabetical):
Atonement
Before the Devil Knows You’re Dead
The Darjeeling Limited
The Diving Bell and the Butterfly
I’m Not There
Juno
Michael Clayton
No Country for Old Men
Persepolis
Sweeney Todd
There Will Be Blood

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