Screening Room: The Oscars and ‘Joker’

Really? (Warner Bros.)

In response to yesterday’s fairly uninspiring Oscar nominations, here is a piece I wrote for Eyes Wide Open about why every single other best picture nominee deserves to win more than Joker:

Yes, that includes JoJo Rabbit. Even the cringey and self-congratulatory Nazi slapstick of Taika Waititi’s quasi-Wes Anderson anachronism-riddled World War II satire — which might have worked nicely if compressed into a 5-minute short — ultimately had something to offer, even if it was simply the not-quite-groundbreaking message that Nazis are bad. Not so Joker

 

Screening Room: ‘Cunningham’

Cunningham
‘Cunningham’ (Magnolia Pictures)

The new documentary Cunningham does double duty, first telling how pioneering modern-dance choreographer Merce Cunningham built his thrilling body of work in the 1940s and ’50s, and second recreating those dances in colorful 3D.

Cunningham is playing in limited release. My review is at Slant:

Focusing on Cunningham’s works dating from 1942 to 1972, and his longtime collaborations with composer John Cage and other artists from Robert Rauschenberg to Andy Warhol, [director Alla] Kovgan balances loosely sketched biography with artistic recreation…

Screening Room: ‘The Current War’

After a tumultuous production history that involved a fight with Harvey Weinstein, a badly mangled cut premiering at Toronto two years ago, and the director wresting his work back from Weinstein and releasing the version that he wanted, The Current War hits theaters today. It’s a curiously stylized drama about the electricity innovation battle between George Westinghouse and Thomas Edison.

My review is at The Playlist:

The figures behind the AC/DC war of the 1880s and ‘90s were certainly larger than life, and so that is where screenwriter Michael Mitnick and director Alfonso Gomez-Rejon put most of their energies. But there is just no getting around the fact that this is a drama about men in top hats arguing over the best electrical current to use…

Screening Room: ‘On Broadway’

onbroadway1

In Oren Jacoby’s new documentary On Broadway, a host of theater stars and other artists explain just what makes the Great White Way so wonderful. It’s a treat.

On Broadway is making the rounds at film festivals now. My review is at PopMatters:

On Broadway is generally at its best when delivering nuggets of theatrical lore, particularly those involving surprise discoveries. Some are fairly well known, such as how Lin-Manuel Miranda premiered his first number from Hamilton at a White House event before it was even a play. It’s a story worth retelling if only for the curious immediacy of the footage and the laughter that greets Miranda when he informs the audience that he has been working on a rap about … Secretary of the Treasury Alexander Hamilton…

Reader’s Corner: Going Back to Updike

Rabbit Redux

In the London Review of Books, Patricia Lockwood does that thing some of us dread: Going back to the author we once loved—and everyone else told us to love—years later to see how they stand up. Reconsidering someone like John Updike, so of-the-moment in postwar American letters, she assumes will be a fraught matter:

I was hired as an assassin. You don’t bring in a 37-year-old woman to review John Updike in the year of our Lord 2019 unless you’re hoping to see blood on the ceiling. ‘Absolutely not,’ I said when first approached, because I knew I would try to read everything, and fail, and spend days trying to write an adequate description of his nostrils, and all I would be left with after months of standing tiptoe on the balance beam of objectivity and fair assessment would be a letter to the editor from some guy named Norbert accusing me of cutting off a great man’s dong in print. But then the editors cornered me drunk at a party, and here we are…

The piece that follows is not a hatchet job. Though yes, blood is fulsomely spilled. Lockwood looks at Updike with new eyes and finds much (so much) to be grimaced at, to the point of wondering, Did anyone actually read this?

There are also some grace notes: “When he is in flight you are glad to be alive.”

But also: “When he comes down wrong – which is often – you feel the sickening turn of an ankle, a real nausea.”

Screening Room: ‘Bacurau’

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‘Bacurau’ (Kino Lorber)

In the haunting new movie from the director of Aquarius and Neighboring Sounds, a remote Brazilian village fights off mysterious invaders.

Bacurau had its U.S. premiere this week at the New York Film Festival. My review is at PopMatters.

Here’s the trailer: