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Amy Seimetz and Shane Carruth try to figure out whose memories are whose in 'Upstream Color'

Amy Seimetz and Shane Carruth try to figure out whose memories are whose in ‘Upstream Color’

upstream-color-posterAlmost a decade ago, Shane Carruth made a tight little puzzler of a science-fiction film called Primer about engineers who accidentally create a time machine; the results make Inception look as easy to decipher as a Michael Bay film.

For his second film, a just-as-puzzling but wider-ranging psychological experiment going under the name Upstream Color, he broadened his scope and palette, throwing a love story into the midst of a mesmerizing thriller about a bizarre kidnap plot. The result is obfuscating, but in a gorgeous and possibly life-illuminating way.

Upstream Color just opened in limited release; it should be sneaking into smarter cinemas around the country over the next couple of months. Expect it to show up on a lot of most-loved and most-hated lists at the year’s end.

My full review is at Film Journal International.

You can watch the trailer here; it’s a beautiful thing to behold.

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