Almost a decade ago, Shane Carruth made a tight little puzzler of a science-fiction film called Primer about engineers who accidentally create a time machine; the results make Inception look as easy to decipher as a Michael Bay film.
For his second film, a just-as-puzzling but wider-ranging psychological experiment going under the name Upstream Color, he broadened his scope and palette, throwing a love story into the midst of a mesmerizing thriller about a bizarre kidnap plot. The result is obfuscating, but in a gorgeous and possibly life-illuminating way.
Upstream Color just opened in limited release; it should be sneaking into smarter cinemas around the country over the next couple of months. Expect it to show up on a lot of most-loved and most-hated lists at the year’s end.
My full review is at Film Journal International.
You can watch the trailer here; it’s a beautiful thing to behold.