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The sublime daffiness of Paulina García in 'Gloria'

The sublime daffiness of Paulina García in ‘Gloria’

gloria-poster1Chile’s submission for this year’s Foreign Film Academy Award, Gloria, doesn’t have the most instantly engaging of storylines: single woman tries to find love. But with deftly rambunctious storytelling and one of the greatest, most soulful performances you’re likely to see all year, it achieves tragicomic greatness.

Gloria is playing around the country right now in limited release. My review is at PopMatters:

…[The film] is shaded with both a dark melancholy and a bright, getting-on-with-it playfulness. Gloria endures more than her share of spirit-crushing moments, but these appear in between glimmers of joy that buffet her relentless persistence, her will not to sink into a sinkhole of near-retirement surrender. There’s no certainty that she will find any kind of new love again, or forge some new kind of bond with children. If she’s going to carve out a happy life, it will be in her hands, not dependent on approvals from her family, friends or lover…

Here’s the trailer:

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