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For the average writer, turning out new pages and finishing stories, articles, or (if we’re so lucky) books isn’t a problem. It’s the whole reason they’re doing it. Productivity counts. Quality, too, of course. But in the end, finished pages are nicer. Since the best way for most of us to be better writers is to do it as much as possible (feedback, feedback, please), then the more the better.

For some writers, though, being prolific is seen as a problem. As in: If they’re so good, why are they publishing so much? Shouldn’t they be taking their time.

As somebody who knows a few things about over-publishing (four books in a year) Stephen King has some thoughts on that topic. In discussing one of his pet peeves, the belief that productivity exists in inverse proportion to literary quality, he pulls out the expected trump card: Joyce Carol Oates.

But then King talks about Donna Tartt and Jonathan Franzen, whom he considers two of America’s great living literary treasures, and have just eight books between them. That minimal output, he admits, drives him crazy:

I understand that each one of us works at a different speed, and has a slightly different process. I understand that these writers are painstaking, wanting each sentence — each word — to carry weight (or, to borrow the title of one of Jonathan Franzen’s finest novels, to have strong motion). I know it’s not laziness, but respect for the work, and I understand from my own work that haste makes waste.

But I also understand that life is short, and that in the end, none of us is prolific. The creative spark dims, and then death puts it out.

We are only here for a short while. So get cracking.

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