A few years back, Aaron Sorkin wrote a wildly one-sided account of Mark Zuckerberg’s rise to riches and infamy as the founder of Facebook, The Social Network. Now he’s (theoretically, at least) adapted Walter Isaacson’s biography of Steve Jobs for another tale of a socially malformed but market-prescient innovator. It’s more even-handed about its subject, to a degree, but somehow far less interesting.
Steve Jobs is already playing in limited release and opens wider this week. My review is at PopMatters:
What Steve Jobs leaves us with isn’t a genius or even a particularly innovative business manager. One after the other, aggrieved former colleagues or family come for some kind of reconciliation or passive-aggressive score-settling, only to be hit with the paranoid, megalomaniacal verbal assaults [former Apple CEO John] Sculley calls the “Steve Jobs revenge machine”. On the surface this looks like an attempt to puncture the bubble of Jobs’s self-created genius mystique and show his seedy underbelly. But the film’s heart isn’t in it. Each time, Jobs gets the upper hand…
My 2011 review of Isaacson’s book is here.
Here’s the trailer: