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LastDaysNewParis

In the latest novel from China Miéville, the year is 1950 and World War II is still dragging on. Paris is in Stalingrad-like ruins from years of battle. Oh, and a crack in the fabric of reality has resulted in major works of Surrealist art coming to life and joining in the fight themselves.

My review of The Last Days of New Paris is at PopMatters:

Time is a slippery thing in China Miéville’s writing. Reality, too. Whether he’s cracking open the concept of language (Embassytown) or layering dimensions and urban histories on top of and through each other like so many strands of literary string theory (The City & The City), Miéville plays with the nature of consciousness in a way that few other writers of the fantastic manage these days…

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