Screening Room: ‘Roma’

Alfonso Cuaron’s latest movie, Roma, is playing now in limited release and on Netflix. If at all possible, see it on the big screen.

My review is at PopMatters:

You could argue that Alfonso Cuarón’s gorgeously imagined and intimate epic Roma invokes politics when convenient for dramatic impact but ignores their context in order to move forward with the family melodrama at its core. Why, for instance, does nobody talk about why the students are protesting in the massive street demonstration that some of the characters are shocked to be caught up in?…

Here’s the trailer:

Screening Room: ‘Widows’

Viola Davis in ‘Widows’ (20th Century Fox)

In Widows, the new Chicago-set thriller from Steve McQueen (12 Years a Slave) and Gillian Flynn (Gone Girl) adapted from the series by British crime novelist Lynda La Plante, Viola Davis has to pay $2 million back to some gangsters her husband ripped off before being inconveniently shot dead.

Widows already toured the festival circuit and now opens wide this Friday. My review is at Eyes Wide Open:

[Widows] is technically a crime story. But it’s also a smart character study of women thrown to the wolves by their criminal men. Behind all that, it’s the story of a great city being stripped down and sold for parts. This might be the greatest movie about an American city since John Sayles’ City of Hope and the best American heist flick since Spike Lee’s Inside Man. But those differing attentions sometimes work at cross purposes…

Here’s the trailer:

Screening Room: ‘Monrovia, Indiana’

‘Monrovia, Indiana’ (Zipporah Films)

The newest documentary from Frederick Wiseman, Monrovia, Indiana, is opening this weekend around the country.

My review is at Eyes Wide Open:

There is nothing like a Frederick Wiseman movie. With an allergic resistance to the messaging and urgency prevalent in today’s nonfiction filmmakers, he has amassed a singular body of work that has done more to illuminate the human condition than any other single American filmmaker. He could be our greatest living documentarian…

Here is the trailer:

Screening Room: ‘Burning’

In the newest movie from Korean director Lee Chang-dong, a stunted writer gets tangled up in a Great Gatsby-esque love triangle with a manic dreamer of a woman and a mysteriously quiet man of means.

Burning is opening this week in limited release. My review is at Film Journal International.

Here’s the trailer:

Screening Room: Flinty, Funny ‘Private Life’ Shouldn’t Get Lost On Netflix

The newest family comedy from Tamara Jenkins (Slums of Beverly Hills, The Savages) follows a literary New York couple in the middle of a years-long saga to get pregnant. The results are often funny, but not pretty.

Private Life opened at the New York Film Festival and is now on Netflix and in some theaters. My review is at The Playlist:

Does it matter that Tamara Jenkins’ newest movie, “Private Life,” is only getting one of those mini boutique theatrical releases at the same time being released somewhere into the unknown algorithm wilds of Netflix for the whole nation to see?…

The trailer is here:

Screening Room: ‘Joy’ at the Venice Film Festival

JOY-Photo1_986

Sudabeh Mortezai’s Joy, which screened at this year’s Venice Film Festival, is a harrowing story about a Nigerian woman trapped in a cycle of dependency as a sex worker in Austria.

My review is at The Playlist:

At the start of Sudadeh Mortezai’s downbeat trafficking tragedy “Joy” there’s some reason to think that one is about to see a story of power and independence. A young Nigerian woman sits in the hut of a juju man while he wrings the blood from a chicken’s slashed neck over an altar and leads her in the recitation of charms. “Protect her from the living and the dead,” he says about her upcoming trip to Europe. “No man will harm me!” He has her shout like a young warrior heading off to battle…

You can check out the trailer here.