From Jem Cohen’s must-see 1999 documentary on the band Fugazi (you can see the whole movie here), this clip lays audio for their instrumental “Guilford Falls” over a hypnotic, electrifying montage of concert clips from their all-out performance at an anti-apartheid benefit concert:
“Tango ‘Til They’re Sore” by Tom Waits. As visually interpreted by Rowlf (originally a Jim Henson interpretation of a Waits-ian pianoman), Kermit, and the Muppet gang. In black and white, of course:
My article ‘Is Gone with the Wind a Classic? Or How Things Change’ went up yesterday over at Eyes Wide Open:
A couple years back, a Memphis theater decided that, because of complaints, they were not going to show Gone with the Wind again. One would imagine conservatives would appreciate a small business not wanting to anger its customers. But by definition, conservatives tend not to like change. It’s in the name…
Karen Kilgariff and Georgia Hardstark, hosts of the true-crime podcast My Favorite Murder, are currently bringing their show to thousands of “Murderino” fans around the country. They also have a book publishing at the end of May.
Stay Sexy is a two-handed memoir, with Kilgariff and Hardstark trading off anecdotes and threading them through a survivor’s approach to therapy and how to get by in a world seemingly designed to take advantage of women…
Since it’s the end of the year, and there’s only so much champagne one can drink while watching Andy Cohen/Anderson Cooper and hoping that 2019 will show 2018 how things should have gone, it’s time to look back at some of the best that the year that was had to offer.
To that end, I contributed some pieces to a few different publications who make a point of cataloging this sort of thing:
- Publishers Weekly: Best Books 2018 – Comics
- PopMatters: The 80 Best Books of 2018
- The Playlist: The 25 Best Films of 2018
Now you’ll have something to do this January besides catch up on new TV shows and ignore your dieting pledges.
For his latest album, Songs of Resistance 1948-2018, guitarist Marc Ribot collaborated with other musicians on a numerous of old and new protest songs.
He enlisted Tom Waits to sing the old anti-fascist Italian folk ballad “Bella Ciao” (“Goodbye Beautiful”). You can hear it here, via the video directed by Jem Cohen (who also shot the classic Fugazi documentary Instrument) which collages footage from recent demonstrations in Washington, D.C. behind Waits’ growling protest lyrics.
The new documentary from Eugene Jarecki (Why We Fight) tries to figure out the legacy of Elvis and turns into a big, messy and overheated but fascinating metaphor for America.
The King is playing now. My review is at The Playlist:
Jarecki isn’t the first artist to turn a pop culture icon into a metaphor for America — there are whole phalanxes of culture critics who make a living doing just that. But usually, those metaphors, while complicated, are ultimately positive. By the time Jarecki is done with Elvis, the lanky, and projects-raised, rockabilly kid just one generation removed from sharecroppers has been cast as everything from an opportunist and grasping capitalist to addled addict to just plain sucker. If he ever was the King, the movie suggests, it’s long past time to retire the crown…