Writer’s Desk: Prove Them All Wrong

Writers know that to get anywhere they generally require at least a few people to support what they are trying to do. Teachers, publishers, parents, spouses; everyone needs backup.

Conversely, writers also know that to get anywhere, they also have to fight their way through the opposition. August Wilson, who was well into his thirties by the time he started making real progress in his soon-to-be-stellar career, encapsulated the struggle thusly:

Your belief in yourself must be greater than everyone’s disbelief in you…

Screening Room: ‘Fences’

fences-poster

Denzel Washington’s adaptation of August Wilson’s award-festooned play Fences essentially reconstitutes the cast of the rapturously received 2010 revival and transforms it into one of the year’s great films—not to mention a strong standard to follow for future dramatic adaptations.

Fences is playing now in limited release, and should open wider later in the month and also in the new year. My review is at PopMatters:

August Wilson’s Fences tells the tale of a black family in ‘50s Pittsburgh, centering on the clan’s domineering patriarch. It also resonates with a host of grandly American themes, from the bloody swell of history and race to the yawning gaps separating rhetoric and action, dreams and reality. It’s a big play, in other words, and requires considerable energy to bring it to life, on stage or screen…

Here’s the trailer.