Screening Room: ‘Captain Marvel’

The latest Marvel comic movie, Captain Marvel, opens this weekend pretty much everywhere.

My review ran at Slant:

As another of the character-introducing MCU stories existing mostly to feed new superheroes into the Avengers series, Captain Marvel looks like something of a trial run. You know the drill: If the film lands with audiences, then you can count on Captain Marvel (Brie Larson)—like Iron Man, Captain America, Thor, and even Ant-Man before her—getting her own series. But if not, then, hey, she’s at least assured of being asked to pop by the game room at Stark Industries for a kibitz in somebody else’s franchise down the road. Based on what’s on display here, Captain Marvel could well get her own star turn again at some point, but hopefully it will be with a different crew behind the camera…

Screening Room: ‘Kong: Skull Island’

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It’s been a few years since King Kong was smashing up the planet. Fortunately, the makers of Kong: Skull Island have remedied this problem with a half-gonzo reworking of the old giant apt smash-’em-up material set in the waning days of the Vietnam War.

Kong: Skull Island is opening wide this week. My review is at Film Journal International:

This is a movie so eager to show off its skyscraper-sized primate that it trots him out before we’ve even gotten to the credit sequence. In this iteration’s 1944-set opener, two downed fighter pilots (American and Japanese) parachute onto a tropical island beach and set about trying to kill each other before being interrupted by Kong’s glowering eyes…

Here’s the trailer:

Screening Room: ‘Room’

Brie Larson and Jacob Tremblay in 'Room' (A24)
Brie Larson and Jacob Tremblay in ‘Room’ (A24)

Based on Emma Donoghue’s award-winning 2010 novel, Room is the story of a young woman being held captive in a small room with her five-year-old son, who has never seen anything of the world outside the room.

Room opened this week and is looking like an early favorite Oscar favorite, at least for Brie Larson as the mother. My review is at PopMatters.

Here’s the trailer: