TV Room: 10 Best ‘Community’ Episodes

So what were the ten best episodes of Community? Glad you asked! I made a stab at ranking them for Slant:

The most common criticism levied against NBC’s Community during its chaotic and generally acclaimed six-season run was that it was all snark and no heart. It’s a complaint that’s been levied at many self-aware, pop culture-literate works by Gen Xers. But in this case, it was flat-out wrong. Threaded alongside creator Dan Harmon’s meta-sitcom-as-sitcom commentary was a poignant and gut-twisting look at loneliness and purpose that suggested that even being part of a co-dependent hot mess of a friend group was better than navigating life solo…

Final word goes to Troy and Abed:

Dept. of Shameless Self-Promotion: ‘Six Seasons and a Movie’ is on Sale!

So it’s official, the latest book that I threw words at is in bookstores and on all your better Internet-y sites. Co-written with my Monty Python FAQ fellow travelers, Six Seasons and a Movie: How Community Broke Television is an episode-by-episode trawl through one of the greatest sitcoms too many people have never heard of.

It also includes scads of research into the cast and crew, including creator Dan Harmon who went on to do a wee little thing called Rick & Morty and Donald Glover who went on to do just about anything he wanted.

Here’s what our publisher says:

Covering everything from the corporate politics that Harmon and his team endured at NBC to the Easter eggs they embedded in countless episodes, Community: The Show that Broke Television is a rich and heartfelt look at a series that broke the mold of TV sitcoms…

Indeed! Watch the show, read the book, enjoy.

Last word to Troy and Abed (books!):

Writer’s Desk: Only If You Have To

Around the time of the release of his documentary Harmontown, the ridiculously prolific and idea-rich writer Dan Harmon (Ricky & Morty, Community) took part in an AMA on Reddit, where he delivered some tips on the trade.

This one hit home:

Nobody can tell you that it’s going to work out. Outcome can’t be controlled. We’re not luck writers; we’re screenwriters. So all one screenwriter can say to another is, ‘Hey, it’s a tough racket for a really long time with random pockets of insanely good fortune to be found.’ Would you write screenplays if you were on a desert island? If the answer is yes, you should stick with it, because what the hell else are you going to do that’s going to make you happy?

While he’s specifically talking about screenwriting, which is its own kind of death-by-committee trade, the same lens should be used to view any kind of writing.

In other words, if you can do something else with your time, go and do that thing. It will certainly make you happier than writing.

(h/t: No Film School)

Screening Room: ‘Anomalisa’

Anomalisa_posterA bleak, Up in the Air-like story about a depressed businessman’s wanderings through an anonymous American heartland, the stop-motion animated film Anomalisa is the newest boundary-blurrer from Charlie Kaufman (Eternal Sunshine of the Spotless Mind). It’ll be the one that anti-Pixar Grinches in the Academy will be voting for in the animation category against the Inside Out majority.

Anomalisa opens in limited release this week and wider in January. My review is at PopMatters:

In today’s America, you must have money for your disaffection to be interesting. At least this is the case in Charlie Kaufman’s downbeat stop-motion animation film, Anomalisa. Like some slim and semi-acclaimed allegorical novel recently translated into English, it’s a story about a man alone in a strange city having dreamlike encounters while wrestling with his inner demons. Along the way, he meets a variety of people lower down the socioeconomic ladder than him, and treats them terribly…

Here’s the trailer: