Writer’s Desk: Ignore ‘The Elements of Style’

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Any writer who has made at least a passing effort to improve their work is familiar with the lessons gleaned from Strunk and White’s The Elements of Style. The slim little handbook has been featured on curricula since it first came out in 1959. Following its own advice, the book is pithy, to the point, and highly usable. More than likely the sentences you just read break at least three of its rules.

If you listen to this podcast from linguist John McWhorter—who has been writing some great pieces on language in the popular and political spheres for The Atlantic, by the way, particularly here and here—there is no reason to take Strunk and White’s many rules (avoiding the passive voice, qualifiers and the word “hopefully,” all of which are sound) as gospel.

“It’s just a couple of guys,” McWhorter says. Not that there is no need for standards in writing. But as a proponent of communication, not a pedantic enforcer of codes (looking at you, Lynne Truss), McWhorter sees no reason for writers to wrap themselves up in worry over breaking a few rules.

Be clear, vivid, original, and to the point. Keep it short. If it feels wrong, cut it. If you’re not sure about a line, toss it or redo. Otherwise, write on, and that should do the trick.

Hopefully.

Writer’s Desk: Style and Forbearance, Young Scribe

The great dispenser of acid-laced bon mots Dorothy Parker, born on August 22 in 1893, had the occasional bit of advice for writers. To wit:

If you have any young friends who aspire to become writers, the second-greatest favor you can do them is to present them with copies of The Elements of Style.

Hard to argue with, yes? Strunk and White’s paen to simplicity is a must-have tool for any writer of any age.

But Parker went on:

The first-greatest, of course, is to shoot them now, while they’re happy.

While people have a low tolerance for writers whingeing about the frustrations baked in to the writing life—nobody forced us to do it, after all—it’s worth pointing out to those just embarking on that path that happiness and fulfillment don’t necessarily follow.

Just writing, and writing well (preferably with a copy of Strunk and White at your side), must often be its own reward.

Writer’s Desk: Grammar Cops

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Elements_of_Style_coverA scene from perhaps the greatest movie that will never be made:

EXT. CITY ALLEYWAY. NIGHT.
Police tape marks the scene. Red and blue lights flash. A young, nervous-looking BEAT COP sees STRUNK and WHITE approaching.

BEAT COP
It’s over here, detectives. The body was found about an hour ago.

STRUNK
Use the active voice, rookie.

BEAT COP
Oh god, it’s horrible. I feel nauseous.

STRUNK
Unless you mean you’re sickening to contemplate, you mean “nauseated.” Now get out of  my crime scene before you puke all over it.

WHITE (inspecting the body)
It’s definitely our guy, Strunk.

STRUNK
The Crossword Killer?

WHITE
Yeah. And look, he’s getting more confident. This time, he used a pen.