Writer’s Room: Neil Gaiman’s ‘Secret Freelancer Knowledge’

Gaiman_MakeGoodArtOne day we’ll get to a world where all writers make their living by delivering killer commencement speeches and then publishing said talks as nifty little standalone editions that might be considered self-help-y where it not for the name attached. Case in point: Neil Gaiman.

Last May, Gaiman gave the commencement address at Philadelphia’s The University of the Arts. He was everything one could hope for: wistful, self-deprecating, helpful, and occasionally inspirational. He also understood that what all those soon-to-graduate artists wanted is help and advice that would tell them: How Do I Do What It Is That I Want To Do?

A few notes from Gaiman’s speech where he lays out the attractions and trials of the freelance life, along with some “secret freelancer knowledge”:

  • A freelance life, a life in the arts, is sometimes like putting messages in bottles, on a desert island, and hoping that someone will find one of your bottles and open it and read it, and put something in a bottle that will wash its way back to you: appreciation, or a commission, or money, or love. And you have to accept that you may put out a hundred things for every bottle that winds up coming back.
  • And when things get tough, this is what you should do. Make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art.
  • People keep working, in a freelance world, and more and more of today’s world is freelance, because their work is good, and because they are easy to get along with, and because they deliver the work on time. And you don’t even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. They’ll forgive the lateness of the work if it’s good, and if they like you. And you don’t have to be as good as the others if you’re on time and it’s always a pleasure to hear from you.

Full transcript here.

The speech is going to be published this May in an edition designed by Chip Kidd.

Reader’s Corner: New Edition of ‘Stardust’

Even though he hits the Times bestseller list on a regular basis these days with novels like American Gods and The Graveyard Book, back in the 1990s Neil Gaiman was not on the mainstream reading public’s radar. He was still mostly known on the fanboy circuit as the guy who created the stunning, magical graphic novel series Sandman (which, reports now have it, he’ll be returning to in 2013).

Then in 1998, Gaiman published Stardust, a beautiful fable about love, other worlds, and — most importantly, and like all good fairy tales — the dangers of magic. It also came with these gorgeous, early 20th century-style illustrations by Charles Vess that aren’t available in every edition. Fortunately, this fall you will be able to buy a nifty gift edition with new artwork and a gorgeous new cover that was designed to Gaiman’s specifications:

I wanted it to look and feel like something from 90 years ago, like the books I treasured as a kid that I found in the school library (the ones I’d buy for a penny in the school library sales, and loved ever after).

Gaiman (aka “British Fonzie” when he had his cameo on The Simpsons) has done plenty of great and magical writing since then, but decades from now this novel (you can read an excerpt here) — and the collected volumes of Sandman — might well end up being the works that endure.