The 2020 edition of the always worthwhile Human Rights Watch Film Festival is going virtual this year, like everything else. It’s a shorter than normal list of documentaries, but still contains some sharp and unforgettable work.
The movies range from Coded Bias (pictured above), which studies the ways white male coders can embed prejudice in seemingly impartial algorithms, to Welcome to Chechnya, a harrowing nonfiction thriller about the activists fighting to get LGBTQ people out of Chechnya before they are tortured and killed, to Radio Silence, a taut story about a Mexico City journalist being hounded by a government that cares more about investigating her than actual criminals.
My coverage of the festival is at PopMatters:
In a time when specialty movie events have been ever more narrowly targeted (festivals devoted to food, puppetry, and so on down the rabbit hole of monomania), the HRWFF went large. It served as a global snapshot of how humanity was faring in the fight to uphold basic standards of freedom and decency for its people. The unsurprising answer tends to be a variant on: Not well…
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