Screening Room: ‘Harriet’

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Cynthia Erivo and Leslie Odom Jr. in ‘Harriet’ (Focus Features)

Although far from perfect, the new Harriet Tubman biopic is well worth seeing even just for Cynthia Erivo’s transcendent turn as the legendary “slave stealer” and Union spy.

Harriet opens this week. My review is at PopMatters:

It is hard to imagine a more perfect candidate for a heroic, against-all-odds biopic. But given the culture’s habitual blindness to heroism not in white male form, it still took over a century after Tubman’s death in 1913 for a project like Kasi Lemmons’ Harriet to come to theaters…

Here is the trailer:

Screening Room: ‘Moonlight’

In the sumptuous melodrama Moonlight, Barry Jenkins’s Oscar-favored film explores the three stages of a young man’s life in a rough Miami neighborhood.

Moonlight is opening this week. My review is at Film Journal International:

It’s safe to say that after his last feature, 2008’s romantic talkfest Medicine for Melancholy, few people would have expected Barry Jenkins to be starting off his newest film with a do-rag-wearing drug dealer rolling through a rough-and-tumble Miami. The characters of the more extravagantly emotional and romantic (in all sense of the word) triptych Moonlight are on the surface light years removed from the urbane hipsters of that earlier film. But really, they’re still dealing with the same issues: namely, identity, their place and purpose in the world, and the search for love…

Here’s the trailer: