Screening Room: ‘Widows’

Viola Davis in ‘Widows’ (20th Century Fox)

In Widows, the new Chicago-set thriller from Steve McQueen (12 Years a Slave) and Gillian Flynn (Gone Girl) adapted from the series by British crime novelist Lynda La Plante, Viola Davis has to pay $2 million back to some gangsters her husband ripped off before being inconveniently shot dead.

Widows already toured the festival circuit and now opens wide this Friday. My review is at Eyes Wide Open:

[Widows] is technically a crime story. But it’s also a smart character study of women thrown to the wolves by their criminal men. Behind all that, it’s the story of a great city being stripped down and sold for parts. This might be the greatest movie about an American city since John Sayles’ City of Hope and the best American heist flick since Spike Lee’s Inside Man. But those differing attentions sometimes work at cross purposes…

Here’s the trailer:

Writer’s Desk: Ask the Questions

Unless you’re Karl Ove Knausgard, writing entails getting in touch with life outside of yourself. That can present problems in fiction. Why? Most writers’ lives just are not that exciting.
Lynda La Plante, the crime novelist responsible for the series Widows and Prime Suspect, has a simple solution for finding out what you need to know:
If you want to find out something you go to source. If you want to know what a man serving life for murder is like, call your nearest prison and register as a visitor … That’s what’s so exciting as a writer, if you put yourself out there, you come home with the goodies
So if you want to truly engage with your invented characters, go find their closest real-life corollaries and talk to them. That’s how you get the goodies.