Screening Room: ‘Mary Poppins Returns’

(Walt Disney Studios)

Going back to the well many decades later, Disney delivers a brand-new musical adaptation of P.L. Travers’ Mary Poppins books that’s not close to the original but better than it has any right to be.

Mary Poppins Returns opens wide today. My review is at PopMatters:

As the law of diminishing returns for any sequel is one of the immutable laws of the cinematic universe—and all the more so for movie musicals (no matter what those fiendishly wrong fans of Grease 2 might claim)—there was even less chance that Mary Poppins Returns could pull the same rabbit out of one of Poppins’ very fetching hats. Nevertheless, this sequel manages a somewhat impressive feat for the often groan-inducing Disney remake factory: it captures the essence of the original while adding just enough spark to set it apart…

Here’s the trailer:

In Movies: National Film Registry

'Decasia'; now, and for eternity
‘Decasia’; now, and for eternity

Every year, the Library of Congress selects another 25 films “deemed to be culturally, aesthetically or historically important” for adding to the National Film Registry, in order to preserve them for future generations. The 2013 list is nice and eclectic, ranging from Tarantino (Pulp Fiction) to musicals (Mary Poppins), short documentaries, and experimental one-offs (Decasia, a found-footage compilation showing the decay of film stock over time).

Here’s the new list:

  • “Bless Their Little Hearts” (1984) – Billy Woodberry’s UCLA thesis film about a working-class African American family.
  • “Brandy in the Wilderness” (1969) – Stanton Kaye’s experimental semi-autobiography.
  • “Cicero March” (1966) – Short film recording a civil right march in an all-white Chicago suburb.
  • “Daughter of Dawn” (1920) – Recently rediscovered drama with hundreds of Native American cast members, the first shot in Oklahoma.
  • “Decasia” (2002) – Found-footage compendium using decomposing images from old nitrate film stock.
  • “Ella Cinders” (1926) – Silent comedy about a girl trying to become a star.
  • “Forbidden Planet” (1956) – Classic sci-fi adventure semi-based on Shakespeare’s The Tempest.
  • “Gilda” (1946) – Brilliant film noir with Rita Hayworth
  • “The Hole” (1962) – John and Faith Hubley’s Oscar-winning animated short about the Cuban Missile Crisis.
  • Judgment-at-Nuremberg-Poster“Judgment at Nuremberg” (1961) – Star-studded Stanley Kramer drama about the Nazi war crime trials.
  • “King of Jazz” (1930) – Early Technicolor music revue with Bing Crosby.
  • “The Lunch Date” (1989) – Award-winning student film about a chance meeting between a woman and a homeless man in a train station.
  • “The Magnificent Seven” (1960) – John Sturges’ western remake of “The Seven Samurai” will never grow old.
  • Martha Graham Early Dance film (1931-44) – Four films documenting the choreography of these influential dancers.
  • “Mary Poppins” (1964) – That movie which Saving Mr. Banks is about.
  • “Men & Dust” (1940) – Documentary about Midwestern miners.
  •  “Midnight” (1939) – Comedy with Claudette Colbert, Don Ameche and John Barrymore.
  • Notes on the Port of St. Francis” (1951) – Vincent Price-narrated short about San Francisco.
  • “Pulp Fiction” (1994) – Quentin Tarantino’s epic blend of crime and comedy that supposedly changed everything in Hollywood.
  • “The Quiet Man” (1952) – A big wet kiss to Ireland from John Ford, starring John Wayne.
  • “The Right Stuff” (1983) – Philip Kaufman’s rousing adaptation of Tom Wolfe’s account of the early space program.
  • “Roger & Me” (1989) – Michael Moore tries to get answers from the head of GM.
  • “A Virtuous Vamp” (1919) – Silent romantic comedy.
  • “Who’s Afraid of Virginia Woolf” (1966) – Elizabeth Taylor and Richard Burton go to war in Mike Nichols’ film of the Edward Albee play about marital discord, and other things.
  • “Wild Boys of the Road” (1933) – Social drama about teens on the road during the Great Depression.

New in Theaters: ‘Saving Mr. Banks’

Walt Disney (Tom Hanks) cajoles ‘Mary Poppins’ author P.L. Travers (Emma Thompson) in ‘Saving Mr. Banks’

savingmrbanks-posterIt’s been a while since Emma Thompson has been a fixture at the Academy Awards; her last win was in 1996 for writing the screenplay of Ang Lee’s Sense and Sensibility. That might change now, with her incomparable work in the new Disney biopic Saving Mr. Banks, where Thompson plays the icy Mary Poppins author P.L. Travers as she gets humbugged by Walt Disney (Tom Hanks), who’s intent on making her astringent fantasy novels into a big, splashy musical.

Saving Mr. Banks opens this weekend in limited release and then wider on December 20. My review is at PopMatters:

One of the great selling points of Saving Mr. Banks is this clash of characters. Travers is the proper British writer representing an already fading ideal of Victorian decorum. Disney is the modern American televisual salesman who has made a career out of ransacking the myths of the world and repackaging them in singing, dancing, animated Technicolor. The practically perfect Thompson is all stiff lip and querulous frown, her Travers wondering what fresh hell she’s just stumbled into; Thompson delivers more information out of a slight narrowing of the eyes than most actors can with an entire speech…

This is ALL wrong...
This is ALL wrong…

Here’s the trailer: