The Opera House is a curiously fascinating documentary about the Metropolitan Opera’s highly fraught move in the 1960s from their old house on Broadway to the brand-new Lincoln Center after an entire immigrant neighborhood was bulldozed to make room.
Alexandra Roach gets charmed by James Corden, playing an unlikely opera singer from Wales, in ‘One Chance’ (Weinstein)
One Chance, one of those charming but really-should-have-been-better rom-coms, is opening this weekend in semi-limited release. It’s nearly worth seeing for the inestimable James Corden.
For the true story of Paul Potts, the down-on-his-luck Welsh cellphone store clerk with dreams of becoming an opera star, you don’t expect much in the way of nuance. True to form, the folks at Weinstein — who’ve created a decent-sized niche line of feel-good stories with light quirk, preferably from the United Kingdom — and David Franckel, director of well-acted fluff both tolerable (The Devil Wears Prada) and not (Hope Springs) leave the nuance behind and goes for broke on the cute, lightly sprinkled with comedy. The formula, part romantic comedy and part Billy Elliot, comes close to working, but collapses at the conclusion like a poorly-made cake. That’s what happens when your big finale involves Simon Cowell…..
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