Screening Room: ‘El Conde’ Dilutes the Horror of Pinochet

The new movie from Pablo Larrain (Ema, Spencer) has a decidedly different take on the horrors perpetrated by Augusto Pinochet during his reign of power in Chile.

My review is at PopMatters:

El Conde, an alternately ambitious and maddening attempt to reckon with one of the 20th century’s ugliest villains, does not take Pinochet at face value. Larraín and his frequent co-writer Guillermo Calderon do not dwell on the free market capitalist, career army officer, and power-mad dictator known by the world. Instead, they imagine Pinochet as a 250-year-old French vampire who nearly gets staked to death in the revolution. A reactionary from the jump, he wanders the world as a mercenary helping to put down revolutions in Russia and Haiti before ending up in South America under a new identity…

El Conde is on Netflix now. The trailer is here.

Screening Room: ‘Ema’

My review of Ema, opening this week in limited release, is at PopMatters:

A burning, jolting firecracker of a film, Pablo Larraín’s Ema is filled with a surplus of passion that could surprise fans of the filmmaker’s more bottled-up work like Jackie (2016) and Neruda (2016). It does, however, share those films’ hypnotic and sinuous flow of sight and sound, delivered here with a more modernistic punchy antagonism. There is also frequent deployment of a flamethrower, generally a worthy addition to just about any film…

Here’s the trailer:

Screening Room: ‘Neruda’

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In the newest film from Pablo Larrain (whose Jackie just opened), Gael Garcia Bernal plays a cop hot on the heels of the titular Chilean poet.

Neruda is opening this week. My review is at Film Journal International:

Pablo Larraín has said flat-out that he didn’t want to make a biopic of Chile’s hero poet Pablo Neruda. And that’s a wise decision. Compressing Neruda’s incident-packed life, which whipsawed from writing yearning and experimental poetry to traveling the world in the diplomatic service to pursuing a career in domestic politics and spending years on the run as a political exile, into a single film would have produced fatigue, confusion, or at the very least severe neck injuries…

The trailer is here: