Now Playing: ‘Le Week-End’

Jim Broadbent and Lindsay Duncan do Paris in 'Le Week-End'
Jim Broadbent and Lindsay Duncan do Paris in ‘Le Week-End’

le-week-end-poster03In the surprisingly spry comedy Le Week-End, Jim Broadbent and Lindsay Duncan head to Paris for a romantic anniversary weekend to kickstart their chaotic, verging-on-retirement lives. Things don’t go as planned.

Le Week-End is playing now in a few theaters and should expand more over the next several weeks. My review is at Film Racket:

Like many movies about couples who treat their relationship as a sparring ring, Roger Michell’s Le Week-End dares you to choose sides. Do you plunk down your support for the affable but retiring bookish bloke Nick (Jim Broadbent)? Or do you take the side of the skittery and cat-like Meg (Lindsay Duncan). He pokes at her, she lashes at him. They swoon together in a church, shushed by worshippers not wanting to see that kind of adolescent heat, and battle it out in the street. Sensibilities get lacerated and bank accounts demolished. It makes for an agitated film, one much starker and less forgiving than the cheery trailer promises, but with a few notable fillips of romanticism flashing through…

You can see the trailer here:

 

As a bonus, here’s the otherworldly cool dance scene from Godard’s 1964 film Band of Outsiders, which features prominently in Le Week-End:

Reader’s Corner: ‘Ulysses’ and Slack-Jawed Dubliners

James Joyce and Sylvia Beach at Shakespeare and Company, 1920
James Joyce and Sylvia Beach at Shakespeare and Company, 1920

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Sylvia Beach was one of those fantastic Lost Generation figures who worked diligently in the spaces between literary figures like Hemingway and Fitzgerald but doesn’t get remembered nearly as often. Likely that’s because booksellers —she ran Paris’ famous Left Band expat hangout Shakespeare and Company—never quite get the same attention that book authors do.

Beach was also a smart businesswoman. Trying to drum up some sales for in James Joyce’s forthcoming Ulysses, she wrote to George Bernard Shaw in 1921, asking whether he as a fellow Irishman, would be interested in pre-ordering a copy. Shaw’s negative response was swift, definite, and for the ages:

To you possibly [Ulysses] may appeal as art … but to me it is all hideously real: I have walked those streets and know those shops and have heard and taken part in those conversations. I escaped from them to England at the age of twenty; and forty years later have learnt from the books of Mr. Joyce that Dublin is still what it was, and young men are still driveling in slack-jawed blackguardism just as they were in 1870. It is however, some consolation to find that at last somebody has felt deeply enough about it to face the horror of writing it all down and using his literary genius to force people to face it….

I must add, as the prospectus implies an invitation to purchase, that I am an elderly Irish gentleman, and if you imagine that any Irishman, much less an elderly one, would pay 150 francs for such a book, you little know my countrymen.

(Hat-tip: Steve King)

 

New in Theaters: ‘2 Days in New York’

If you’re looking to improve box office, it might make sense to replace Adam Goldberg with Chris Rock. As a leading man opposite co-star/writer/director Julie Delpy in her romantic comedy 2 Days in Paris, Goldberg chiseled a bit of comic gold, but he was hardly a draw for most moviegoers. Rock, who replaces him in 2 Days in New York, is a star with proven appeal, even if his on-screen timing has always been a poor cousin to his stage persona. But, as it turns out, this tradeoff is costly…

2 Days in New York opened last Friday; my full review is at PopMatters.

Trailer is here: